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Jingdezhen Teaware
$38.99Design and Appearance
- Shape: This tasting cup adopts a classic traditional shape. The body is full and rounded, offering a comfortable grip that combines aesthetics with practicality.
- Glaze Color: The surface of the tasting cup is covered with aurora blue glaze, presenting a rich color variation. From deep blue to light white, it resembles the aurora dancing in the night sky, giving a sense of tranquility and mystery. The glaze is smooth like jade, with a warm luster.
Craftsmanship and Techniques
- Kiln Change Technique: Utilizing traditional kiln change techniques, each cup’s glaze color and texture are unique. The kiln change process creates natural color flows and textures due to high-temperature variations during firing, giving each cup its unique artistic charm.
- Aurora Blue Glaze: Aurora blue glaze is a special glaze color formed through multiple high-temperature firings. It has rich, layered colors, high gloss, a delicate and warm feel, and stable, fade-resistant colors.
Usage and Functionality
- Tasting Experience: This aurora blue tasting cup not only has an elegant appearance but also enhances your tea tasting experience. The design and glaze color complement each other, making the tea’s color more appealing and its aroma richer. It is suitable for tasting various high-quality teas, especially highly aromatic ones.
- Collection and Display: As a fine item in tea ware collections, this tasting cup is elegant whether for personal use or as a gift. Its unique glaze color and exquisite craftsmanship make it not only a practical tea ware but also a valuable art piece for collection and display.
This aurora blue kiln change tasting cup combines traditional craftsmanship with modern aesthetics, showcasing unique artistic charm and practical value. It not only provides an excellent experience for tea lovers but also serves as an art piece, adding beauty and joy to life.
Attention:
- Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
- The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
- Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
- Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.
$79.99This famille rose yellow glaze aroma cup featuring the “Jade Rabbit Looking at the Moon” pattern is a beautiful piece that combines traditional Chinese artistry with exquisite craftsmanship.
Design and Appearance
- Shape Characteristics: Aroma cups are typically more slender than regular teacups. This design helps retain heat and release the tea’s aroma slowly, allowing the drinker to savor the subtle differences in the fragrance of various tea types over a longer period.
- Pattern: The aroma cup is adorned with the “Jade Rabbit Looking at the Moon” motif, depicting two white rabbits gazing up at a full moon surrounded by flowing green bamboo leaves, creating a serene and poetic scene.
- Color: The surface of the aroma cup is covered with a bright yellow glaze that is rich and vibrant in color. The use of famille rose technique brings the overglaze painting to life, making it vivid and full of charm.
Craftsmanship and Techniques
- Yellow Glaze: The use of yellow glaze is a special technique in Chinese porcelain art. It involves applying a yellow pigment over the ceramic body before firing it in the kiln. This process gives the teapot its striking and vibrant yellow color.
- Famille Rose: Famille rose, or “fencai” in Chinese, is a type of overglaze decoration. This technique uses a palette of soft and delicate colors that are painted over the glaze and then fired at a lower temperature. The famille rose technique is evident in the detailed depiction of the rabbits, the moon, and the bamboo leaves, which are finely painted with soft and harmonious colors.
Symbolism and Cultural Significance
The meaning of “The Jade Rabbit Looking at the Moon” primarily expresses deep longing for loved ones. This meaning originates from an ancient mythological story where the jade rabbit requests to reside in the Moon Palace to accompany Chang’e, thus creating the image of the jade rabbit looking at the moon. This story not only showcases the jade rabbit’s kindness and care for family but also reflects the ancients’ emphasis on family and kinship. In traditional Chinese culture, “The Jade Rabbit Looking at the Moon” is not only a symbol of the Mid-Autumn Festival but also an important cultural element for expressing longing and the desire for reunion.
The Jade Rabbit Looking at the Moon aroma teacup embodies the richness of traditional Chinese culture and poetic beauty. It is not only a practical tea ware but also a beautiful decorative piece that can be cherished and admired.
$33.99This teacup is baked by firewood and is made by both of kiln-fired glaze variations and cracked glaze craft. Because kiln alteration techniques enable an exciting and dynamic way to create different blue colour glazes on this teacup, each teacup is unique and made by hand, with no two being exactly alike. The phenomenon of crystal formation caused by kiln altered in a cup, commonly known as “crystal flowers”.
Besides that, the unique cracked glaze technique used creates beautiful patterns on the cup’s surface. Over time as it is soaked with tea soup, and then resulting variations in the pattern make each piece truly outstanding and add more enjoyment to the tea drinking experience.
It has:
- Unique Appearance: The master cup features a simple and elegant design with smooth lines and a rounded rim. The surface displays a soy-colored kiln-altered effect, with naturally transitioning colors and rich glaze variations, offering a visual delight.
- High-Temperature Kiln Altered Technique: This master cup is made using traditional high-temperature kiln-altered techniques. The prolonged high-temperature firing process creates unique glaze colors and textures. Each cup has a one-of-a-kind kiln-transmutation effect, making it an irreplaceable piece of art.
- Exquisite Handcraftsmanship: The master cup is handcrafted by experienced artisans, with every detail meticulously polished. The cup body is smooth and delicate, providing a comfortable grip, making it both practical and beautiful.
- Strong Practicality: This master cup is not only aesthetically pleasing but also highly practical. Its moderate capacity is perfect for enjoying tea, allowing the full release of the tea’s aroma and flavor. The rounded rim provides a comfortable drinking experience.
- Cultural Symbolism: The soy-colored kiln-altered patterns on the cup body are not only beautiful but also embody the natural imagery of traditional Chinese culture, symbolizing tranquility and harmony. This cultural element adds profound cultural significance to the master cup.
- Combination of Aesthetics and Function: This master cup is suitable for both daily use and as a collectible art piece. Its unique aesthetic design and practical functionality enhance the tea-drinking experience while also serving as a decorative item to beautify living spaces.
Attention:
- Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
- The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
- Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
- Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.
Out of Stock$33.99This teacup is baked with firewood and is made of both kiln-fired glaze variations and cracked glaze craft. Because kiln alteration techniques enable an exciting and dynamic way to create different blue colour glazes on this teacup, each teacup is unique and made by hand, with no two being exactly alike. The phenomenon of crystal formation is caused by kiln altered in a cup, commonly known as “crystal flowers”.
Besides that, the unique cracked glaze technique used creates beautiful patterns on the cup’s surface. Over time as it is soaked with tea soup, then resulting variations in the pattern make each piece truly outstanding and add more enjoyment to the tea drinking experience.
Attention:
- Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
- The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
- Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
- Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.
Out of Stock$33.99This red teacup is baked with firewood and is made of both kiln-fired glaze variations and cracked glaze craft. Because kiln alteration techniques enable an exciting and dynamic way to create different red colour glazes on this teacup, each teacup is unique and made by hand, with no two being exactly alike. The phenomenon of crystal formation is caused by kiln altered in a cup, commonly known as “crystal flowers”.
Besides that, the unique cracked glaze technique used creates beautiful patterns on the cup’s surface. Over time as it is soaked with tea soup, and then resulting variations in the pattern make each piece truly outstanding and add more enjoyment to the tea drinking experience.
Attention:
- Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
- The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
- Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
- Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.
Out of Stock$109.99This Gaiwan is made with antique clay glaze, which gives it a smooth and lustrous surface, as well as a thick and sturdy body, evoking a sense of ancient elegance, tranquillity, and warmth. The hand-painted pictures are lively and natural, depicting the goji berries with lifelike accuracy.
Goji berries, a small orange-red fruit with a long history in China, symbolize auspiciousness and happiness. The elongated fruits of goji berries are fiery red in color, hence in China, goji berries are regarded as a symbol of celebration and joy. The fiery red goji berries represent good luck and signify a life filled with prosperity and vitality.
Furthermore, the Gaiwan is crafted using the overglaze colour painting craft, which produces pure, vibrant, and full colours. Since Gaiwan is hand-painted by an artist, every piece is unique and machine-printed decals cannot compare with.
$29.99This handmade celadon chicken heart cup features a beautiful blue glaze that is created through the kiln altered baking process. During this process, the temperature and atmosphere inside the kiln are carefully controlled to produce variations in colour and texture on the surface of the pottery.
The resulting blue glaze on this cup is a stunning example of the unique and unpredictable effects that can be achieved through this ancient technique. The subtle variations in shade and texture give the cup a natural and organic feel, and the delicate chicken heart shape adds a touch of whimsy and charm.
Crafted with meticulous attention to detail, this cup is entirely handmade and one-of-a-kind. Its smooth, rounded shape feels comfortable in the hand, and the rich, blue glaze adds depth and dimension to the surface.
Attention:
- Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
- The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
- Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
- Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.
$29.99This handmade celadon chicken heart cup features a beautiful green glaze that is created through the kiln-altered baking process. During this process, the temperature and atmosphere inside the kiln are carefully controlled to produce variations in colour and texture on the surface of the pottery.
The resulting green glaze on this cup is a stunning example of the unique and unpredictable effects that can be achieved through this ancient technique. The subtle variations in shade and texture give the cup a natural and organic feel, and the delicate chicken heart shape adds a touch of whimsy and charm.
Crafted with meticulous attention to detail, this cup is entirely handmade and one-of-a-kind. Its smooth, rounded shape feels comfortable in the hand, and the rich, green glaze adds depth and dimension to the surface.
Attention:
- Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
- The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
- Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
- Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.
Out of Stock$33.99The teacup is handmade using the wood-fired kiln altered glaze technique, and its glaze presents a unique yellow and light purple colour. The phenomenon of crystal formation is caused by kiln altered in a cup, commonly known as “crystal flowers”.
The varying shades of colour make each cup one-of-a-kind, adding a rugged and beautiful charm to your tea table. The mouth of the cup is designed with a flower shape, making the whole cup look even more entertaining.
Attention:
- Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
- The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
- Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
- Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.
$119.99This blue and white tea set captures the tranquility of a countryside scene, depicting a poetic landscape where the sun sets and birds return home. The set includes a gaiwan, a fairness cup, and teacups, all hand-painted with traditional blue and white craftsmanship, exuding an elegant and serene oriental charm.
The gaiwan features a picturesque village nestled among rolling hills and lush trees, evoking the imagery of a peaceful retreat away from the world. The teacups complement this design, portraying distant mountain ranges, flocks of birds, and the warm glow of the setting sun, creating a harmonious and tranquil atmosphere.
The fairness cup is made of transparent glass, presenting a simple yet sophisticated contrast to the blue and white porcelain, adding depth and texture to the overall aesthetic. This thoughtfully designed tea set not only highlights the timeless beauty of traditional Chinese porcelain but also imbues tea-drinking with a poetic sense of tranquility. Whether for daily tea rituals or elegant gatherings, this set offers a peaceful and refined tea experience.
Out of Stock$33.99The teacup is handmade using the wood-fired kiln-altered glaze technique, and its glaze presents a unique green colour. The phenomenon of crystal formation is caused by a kiln altered in a cup, commonly known as “crystal flowers”.
The varying shades of colour make each cup one-of-a-kind, adding a rugged and beautiful charm to your tea table. Its design features a high foot and a small base, which give it a delicate appearance. The mouth of the cup is designed with a flower shape, making the whole cup look even more entertaining.
Attention:
- Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
- The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
- Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
- Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.
$279.99This elegant tea set features a serene countryside design and includes a teapot with a “Meiren Jian” (Beauty Shoulder) shape, a fairness pitcher, and four tea cups. Each piece is adorned with hand-painted blue-and-white landscape patterns that depict a tranquil village scene. The flowing river, lush trees, distant houses, and soaring birds evoke a sense of natural harmony and rustic charm.
The teapot stands out with its graceful “Beauty Shoulder” design, where the soft, smooth lines of the shoulder resemble the curve of a beauty’s shoulder, exuding elegance and sophistication. The spout is naturally curved for smooth pouring, while the handle offers a comfortable grip for ease of use. The lid fits seamlessly with the teapot, ensuring that the tea’s warmth and aroma are retained, combining functionality with aesthetic appeal. The tea cups are well-proportioned, with slightly flared rims that enhance drinking comfort while adding a touch of refinement. The fairness pitcher complements the set with its simple and elegant design, creating a cohesive and harmonious style.
The deep and vibrant blue glaze contrasts beautifully with the pristine white porcelain, creating a fresh and refined visual effect. This tea set is not only a practical tool for brewing tea but also a collectible piece that blends traditional craftsmanship with artistic value. Whether for daily use or as a thoughtful gift for friends and family, it reflects both taste and a reverence for cultural heritage.
Out of Stock$135.99This tea tray is handcrafted using the Ru Klin technique. The painting features a depiction of mountain scenery in shades of blue and green. The Ru porcelain glaze is thick and often exhibits crackling patterns resembling fish scales or cicada wings. With prolonged use, tea soup can seep into the cracks, forming irregular and intricate patterns. As a result, the surface feels smooth and polished, reminiscent of the beauty of jade yet distinct from actual jade.
$339.99This teapot is made with special Lao Yan Mud as the raw material which possesses irreplaceable advantages over other clay materials for teapot making. Lao Yan Mud is formulated by blending rock minerals and clay. The mineral components (such as quartz, mica, etc) in the clay do not melt at temperatures around 1250 degrees Celsius, resulting in the formation of voids during the firing and drying process. These irregular pores, formed due to different shrinkage rates during the final firing, do not fully vitrify. These porous structures contribute to preserving and enhancing the aroma and character of tea, allowing the water to become fragrant and sweet when brewed. This special mud undergoes multiple high-temperature oxidations and reductions, causing its body to exhibit a primitive, natural, and rugged texture. Its colour displays a myriad of kiln-fired variations, exuding a charming and rustic kiln transformation.
In addition, this teapot’s handle is adorned with auspicious cloud patterns. In ancient China, firstly, auspicious clouds symbolize good fortune and positivity. In traditional Chinese culture, auspicious clouds are often depicted surrounding figures of immortals, sages, and auspicious beings, signifying good luck, happiness, and blessings. Secondly, auspicious clouds also represent power and status. In ancient times, the emperor’s outings were often described with imagery like ‘dragon robes, golden belt, purple tassels, and auspicious clouds,’ expressing the emperor’s prestigious position and authority. Thus, auspicious clouds are also regarded as a symbol of power and status. Furthermore, auspicious clouds also embody the notions of mystery and legend. In ancient legends, auspicious clouds were believed to be the mounts of immortals and celestial beings, serving as bridges to the heavens. The emperor’s journeys were often accompanied by an air of mystery and legend. In short, auspicious clouds hold a significant place in traditional Chinese culture, representing auspiciousness, power, mystery, and legend. They are widely prevalent and important motifs and elements in various aspects of Chinese art such as painting, sculpture, architecture, and literature.
The appearance of this teapot is rustic and simple, with lifelike auspicious cloud patterns on the handle, making it a perfect companion for tea brewing.
$113.99This Gaiwan is made with antique clay glaze, which gives it a smooth and lustrous surface, as well as a thick and sturdy body, evoking a sense of ancient elegance, tranquillity, and warmth. The hand-painted strokes are lively and natural, depicting the bamboo forest and rocks with lifelike accuracy.
The Chinese bamboo forest and rocks have profound symbolic meanings in culture and art. The bamboo forest symbolizes resilience and humility. Bamboo is known for its strong vitality and flexible nature, able to withstand harsh winters and remain upright. This characteristic has made bamboo a symbol of traditional virtues in China, including perseverance, resilience in adversity, and modesty. Additionally, the bamboo forest is often seen as a place of seclusion, representing the pursuit of inner freedom and tranquillity. Rocks, on the other hand, symbolize stability and steadfastness. In Chinese art, rocks are frequently depicted as rugged, majestic, and serene. They represent the eternal and unchanging aspects of the natural world, as well as the values of determination and stability that people strive for in life. Rocks are also seen as symbols of wisdom and longevity, standing tall and unwavering despite the passage of time.
Furthermore, the Gaiwan is crafted using the overglaze colour painting craft, which produces pure, vibrant, and full colours. Since Gaiwan is hand-painted by an artist, every piece is unique and machine-printed decals cannot be compared with.
Out of Stock$26.99This fair cup is blue glazed with hand-painted hydrangea on it. The shape of the fair cup follows traditional aesthetic design elements, with a classic unique shape.
Out of Stock$45.99This teapot is made with an iron red glaze which make it looks warm and earthy, glossyand smooth. The main component of this special glaze is iron-containing minerals, such as hematite and ochre. In the production of ceramics, these minerals are mixed with other raw materials and then high temperature fired to form a hard glaze surface.
The teapot with an iron red glaze would be a beautiful and practical addition to any tea lover’s collection, with a timeless appeal that speaks to the rich history and tradition of ceramic art.
Out of Stock$139.99Design and Appearance
- Shape: The gaiwan adopts the classic three-piece design, consisting of a lid, bowl, and saucer. Its shape is full and round with smooth lines, providing a comfortable grip, making it both beautiful and practical.
- Glaze Color: The surface of the gaiwan is covered with Aurora Blue glaze, showcasing a rich color variation. From deep blue to elegant white, it mimics the movement of the aurora in the night sky, evoking a sense of tranquility and mystery. The glaze is smooth like jade with a warm and lustrous color.
Craftsmanship and Techniques
- Kiln-Transformation Technique: This gaiwan is crafted using traditional kiln-transformation techniques, making each piece unique in glaze color and texture. The high-temperature changes during firing create natural color flows and textures, giving each gaiwan a distinct artistic charm.
- Aurora Blue Glaze: Aurora Blue glaze is a special type of glaze formed through multiple high-temperature firings. It features rich and distinct layers of color, high glossiness, a smooth and warm texture, and stable, fade-resistant color.
Usage and Function
- Tea Tasting Experience: This Aurora Blue Three-Talents Gaiwan not only has an elegant appearance but also enhances your tea-tasting experience. The design and glaze color complement each other, making the tea color more enticing and the aroma more intense. It is ideal for enjoying various high-quality teas, especially those with high fragrance.
- Collection and Display: As a premium piece in tea ware collections, this gaiwan is exceptionally elegant whether used personally or given as a gift. Its unique glaze color and exquisite craftsmanship make it not only a practical tea set but also a collectible and display-worthy piece of art.
This kiln-transformed Aurora Blue San Cai Gaiwan blends traditional craftsmanship with modern aesthetics, showcasing unique artistic charm and practical value. It not only offers an excellent experience for tea lovers but also serves as an art piece, adding beauty and joy to life.
Attention:
- Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
- The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
- Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
- Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.
Out of Stock$399.99This teacup, designed in the style of the Ming Dynasty, is crafted using the underglaze blue and white porcelain technique, and is entirely hand-painted. The intricate and exquisite artwork features peach blossoms, ducks, butterflies, and the spring river. Two adult ducks, accompanied by ducklings, swim freely in the warming spring waters, surrounded by blooming peach blossoms and playful butterflies. The scene is vivid and natural, evoking a serene beauty. The artwork captures the essence of early spring on the river, portraying how ducks are the first to sense the warming waters, expressing joy and reverence for the arrival of spring.
Design and Appearance
- Shape: The teacup has smooth lines and a comfortable grip, combining unique and beautiful design elements.
- Glaze Colour: The surface of the teacup has a warm and smooth glaze. The base color is white, with the hand-painted underglaze blue technique, creating a deep and layered blue color.
Craftsmanship and Techniques
- Hand-Painted Artwork: The designs on the teacup are meticulously hand-painted, making each piece unique and full of artistic value.
- Tin Spot Technique: The glaze surface uses the tin spot technique, creating a mottled visual effect that adds a sense of history and texture, enhancing the antique charm of the teacup.
Ming-style teaware always features a distinctive tin spot pattern, giving the tea ware a unique charm. The formation of tin spots is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.
In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration. These tin glazes not only add a rustic texture to the teacup but also imbue it with a unique sense of history.
The artwork on this teacup is delicate, with fine brushstrokes that outline a unique sense of line beauty. The underglaze blue pigment is rich, featuring distinctive and prominent tin spots that appear exceptionally beautiful and captivating under the light.
$99.99This tea tray is handcrafted using the Ru Klin technique. The painting features a cute kitty on the stone. The Ru porcelain glaze is thick and often exhibits crackling patterns resembling fish scales or cicada wings. With prolonged use, tea soup can seep into the cracks, forming irregular and intricate patterns. As a result, the surface feels smooth and polished, reminiscent of the beauty of jade yet distinct from actual jade.
Out of Stock$169.99This Baoxiang teacup is completely handmade and hand painted. The special craft used in this teaware includes Blue and white underglaze colour and underglaze red.
The pattern featured is called “Bao Xiang” in Chinese, which is a traditional decorative motif representing one of the auspicious three treasures (Bao Xiang flower, Money tree, and Treasure basin), prevalent during the Sui and Tang dynasties in China. Bao Xiang pattern is also known as ‘Bao Xian Hua’ or ‘Bao Lian Hua’. Its lines are clear, and the colour is serene and antique. The Bao Xiang pattern design of this teaware is neat, and complex but not messy, and the whole picture of it is full and rich in details.
In Chinese culture, the Bao Xiang pattern symbolizes auspiciousness and happiness, representing people’s aspirations for happiness. It is widely popular in the decoration of silk brocade, bronze mirrors, and porcelain, showcasing people’s pursuit of a better life.
This teacup features smooth and concise curves, combining the unique beauty of the Bao Xiang pattern, creating a visually appealing and enjoyable tea-drinking experience.
$135.99This teapot is entirely handcrafted. It is covered with an after-rain sky blue and purple crackle glaze, presenting a beautiful blue-purple hue. The iron contained inside the clay creates unique decorative lines and iron spots during the firing process, decorating the surface of the vessel with scattered dot patterns, which exude a retro and elegant vibe. The unique-shaped spout of the teapot allows for a smooth and controlled water flow.
Besides that, the unique cracked glaze technique used creates beautiful patterns on the cup’s surface. Over time as it is soaked with tea soup, then resulting variations in the pattern make each piece truly outstanding and add more enjoyment to the tea-drinking experience.
Attention:
- Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
- The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
- Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
- Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.
Out of Stock$123.99[vc_row et_row_padding="true" el_class="p-variations"][vc_column width="1/3" offset="vc_col-xs-4"][et_image alignment="aligncenter" image="29756" extra_class="p-current"][/et_image][/vc_column][vc_column width="1/3" offset="vc_col-xs-4"][et_image alignment="aligncenter" image="29750" img_link="url:%2Fp%2Fhandmade-wood-fired-beauty-teapot-drop%2F"][/et_image][/vc_column][vc_column width="1/3" offset="vc_col-xs-4"][/vc_column][/vc_row]Stoneware clay wood-fired teapots are handcrafted, which means that each piece is unique. And it has a unique beauty that comes from both the nature of the materials used and the firing process.
Stoneware clay is a type of ceramic clay that has a naturally earthy and organic appearance. It is often chosen by potters for its ability to give a warm and rustic feel to their work. When combined with the natural effects of wood-firing, the teapot can have a very distinct and beautiful appearance.
This unique teapot can be an impressive beauty and enjoyment when experiencing tea tasting ceremony.
$143.99This small teapot is made by both kiln-fired glaze variations and cracked glaze craft. Because kiln alteration techniques enable an exciting and dynamic way to create different red colour glazes on this teacup, each teacup is unique and made by hand, with no two being exactly alike. The phenomenon of crystal formation is caused by a kiln altered in a cup, commonly known as “crystal flowers”.
Besides that, the unique cracked glaze technique used creates beautiful patterns on the cup’s surface. Over time as it is soaked with tea soup, and the resulting variations in the pattern make each piece truly outstanding and add more enjoyment to the tea-drinking experience.
Attention:
- Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
- The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
- Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
- Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.
Out of Stock$199.99This teacup is made in the style of the Yuan dynasty blue and white porcelain, completely handmade and hand painted. The blue and white fish & seaweed pattern is vivid, showcasing ancient cultural and aesthetic values, allowing people to immerse themselves in a beautiful artistic atmosphere while enjoying their tea.
The special pattern of this teacup is fish and seaweed. Since ancient times, fish and seaweed motifs have been traditional decorative patterns in ceramics, representing auspiciousness and carrying rich cultural and aesthetic meanings. The homophonic association between fish and the Chinese word for “surplus” (yu) makes fish a symbol of abundance and wealth. Fish motifs are often used to convey the meaning of “abundance and surplus,” “prosperity year after year” (as the pronunciation of fish is similar to that of “surplus” in Chinese), and “auspicious celebrations and abundance.” The fish and seaweed motifs typically feature fish as the central element, with additional decorations such as water plants, forming a variety of decorative patterns. The depiction of four swimming fish in the artwork symbolizes the concept of “surplus in all four seasons,” representing a year-round surplus, which carries a highly positive connotation. Such motifs are not only favoured by the royal court but also beloved by people from all walks of life as auspicious decorations. The flexible composition, auspicious symbolism, and abundant variations of fish and seaweed motifs have made them timeless classics throughout different eras.
For Yuan blue and white porcelain refers to the blue and white porcelain produced during the Yuan dynasty (1271-1368) in China. The Yuan dynasty was an important period in the history of Chinese porcelain and one of the peaks of Chinese porcelain art. As one of the representatives of that era, Yuan blue and white porcelain exhibited unique artistic styles and technical levels. The characteristic of Yuan blue and white is the use of cobalt blue pigment for painting, which is made of cobalt oxide. After firing, the colour is bright and rich, with an extremely high decorative effect. Yuan blue and white porcelain has various shapes, thick and heavy, concise, and fluent lines, and stable and solemn shapes, all made exquisitely.
The evolution of Yuan blue and white is based on the foundation of the Tang and Song celadon. Firstly, the glaze colour was improved and innovated. Unique white glaze, eggshell glaze and blue-white glaze were invented to make the glaze crystal clear. Cobalt pigment was imported for glaze colouring. Or using pigment made from domestic materials.
The formation of tin spots on Yuan blue and white is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.
In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration.
This teacup has a thick body and uses the Su Ma Li Qing glaze material (a kind of blue pigment), with a heavy sense of tin spots, revealing a unique charm of the past era. The entire production process is completed by hand, and every detail has been carefully designed and polished, giving this teacup a unique artistic charm. The blue and white fish & seaweed pattern is vivid, showcasing ancient cultural and aesthetic values, allowing people to immerse themselves in a beautiful artistic atmosphere while enjoying their tea.
$45.99The teacup is made from high-quality white mud, giving it a smooth and elegant texture. The surface is covered in a lovely white glaze, which creates a beautiful and glossy finish. The cup is adorned with overglaze colours in two different patterns.
One of the patterns depicts children setting off firecrackers, a symbol of celebration and joy in Chinese culture. The other pattern shows a child with good fortune, representing prosperity and good luck. Both patterns are intricate and detailed, featuring vibrant colours that contrast beautifully against the white background.
Due to being entirely hand-painted, each painting has slight differences.
$49.99This handmade fair cup is adorned with a unique impressionistic Chinese ink landscape painting. Made from white jade ceramic, it has a smooth texture and a minimalist style that complements its elegant design. The fair cup maintains a sense of simplicity, making it perfect for enjoying a cup of tea in a calm and peaceful setting. Its smooth texture and minimalist style make it a pleasure to hold and admire, adding to its overall sense of tranquillity and refinement.
Out of Stock$44.99This fair cup was baked with firewood and was made of both kiln-fired glaze variations and coloured & cracked glaze craft. Each one is unique and handmade – no two being exactly alike.
The overall design of this fair cup is simple and unsophisticated. The unique cracked glaze technique used creates beautiful patterns on the cup’s surface. Over time as it is soaked with tea soup, then resulting variations in the pattern make each piece truly outstanding and add more enjoyment to the tea-drinking experience.
Attention:
- Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
- The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
- Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
- Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.
$68.99This fair cup is baked with firewood and is made by both kiln-fired glaze variations and cracked glaze craft. Each one is unique and made by hand, with no two being exactly alike.
The square and simple shape of the cup allows for smooth pouring. The unique cracked glaze technique used creates beautiful patterns on the cup’s surface. Over time as it is soaked with tea soup, resulting variations in the pattern make each piece truly outstanding and add more enjoyment to the tea-drinking experience.
Attention:
- Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
- The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
- Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
- Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.
Out of Stock$499.99This Gaiwan is meticulously handcrafted using the Red Underglaze technique, a process known for its exceptional difficulty and low yield. Red Underglaze uses copper as a colorant, painted directly onto the white porcelain body in intricate patterns before being coated with a layer of glaze. During high-temperature reduction firing, the copper produces a striking red hue, giving this technique its name. The vibrant, rich red contrasts beautifully with the pure white porcelain, highlighting the unique texture and elegance of Red Underglaze craftsmanship.
The Gaiwan’s design features trailing lotus motifs, a classic Chinese decorative theme. Traditionally, the trailing lotus, known as the “Vine of Longevity” for its interwoven and continuous blooms, symbolizes prosperity and endless vitality. In Confucian culture, the lotus is a representation of truth, goodness, and beauty, as well as a sacred emblem in Buddhism. The phonetic similarity between “lotus” and “continuity” in Chinese further conveys a wish for enduring blessings and harmonious emotions. As an enduring element of traditional Chinese design, the trailing lotus combines cultural depth with artistic beauty, embodying purity, elegance, and timeless sophistication.
The Gaiwan is perfectly proportioned, featuring a rounded and full lid knob and a lip designed for a comfortable grip. The saucer base is adorned with traditional geometric patterns, adding a touch of classical charm.
This Red Underglaze Gaiwan is a rare blend of artistry and practicality. The precious Red Underglaze technique bridges ancient craftsmanship with modern aesthetics, creating a masterpiece where the deep, fiery red seems to dance like flames upon the pristine white porcelain. It radiates an aura of elegance and refinement, making it a truly exceptional piece.
Out of Stock$299.99This Stem Teacup is meticulously handcrafted using the blue-and-white with underglaze red technique. In tea culture, the stem cup symbolizes solemnity and elegance. When using a stem cup for tea tasting, the graceful motion of raising the cup evokes a sense of timeless charm, as if immersed in the serene ambiance of ancient traditions, adding a touch of ritual and intrigue to the tea experience. Besides that, the artwork features camellia flowers, symbolising passion and beauty, often used to convey auspiciousness and blessings for happiness.
Blue-and-White with Underglaze Red (commonly known as “blue-and-purple”) is a ceramic decorative method in which underglaze red designs are added to blue-and-white patterns. Blue-and-white refers to patterns drawn with cobalt oxide, covered with a transparent glaze, and fired at over 1200°C in a reduction atmosphere to produce the characteristic underglaze decoration. Underglaze red uses copper oxide as a colouring agent, painted directly on the clay body (or on clay coated with a transparent white glaze), then covered with a clear glaze. After being placed in a saggar and fired at 1250–1280°C in a strong reduction atmosphere, the high-valence copper is reduced to low-valence copper, creating vivid yet subdued red patterns.
In this technique, underglaze red can be used to decorate the spaces between blue-and-white patterns, resulting in the unique combination known as blue-and-white with underglaze red. This complex process creates a striking artistic effect where blue, red, and white colours complement each other.
The production of blue-and-white with underglaze red ceramics is extraordinarily challenging. Historically, some artisans risked financial ruin in their pursuit of this technique due to its complexity. The difficulty arises because the cobalt (blue) and copper (red) oxides require different reduction temperatures, making it exceptionally hard to control the process. This results in a low success rate, with issues such as “flying red,” where the red and blue merge or the colours become indistinct and blurry.
Despite these challenges, the combination of blue-and-white with underglaze red achieves an unparalleled artistic effect, where the interplay of blue, red, and white elevates the beauty of ceramics to new artistic heights. This stem teacup exemplifies the mastery of this rare and sophisticated craft, making it a stunning and meaningful piece of art.
Out of Stock$299.99This censer-style cup is handcrafted using the underglaze red technique. The shape is inspired by ancient censer designs, embodying a rich cultural heritage while showcasing a distinctive artistic beauty. The cup’s form features a simple and dignified tone, with smooth and natural lines. The rim gently flares outward, exuding elegance, while the body is rounded and well-balanced, providing a sense of visual harmony and comfort.
The beauty of the censer-style cup lies not only in its exterior design but also in the meticulous attention to detail and craftsmanship. The proportion of the rim is perfectly calibrated for a comfortable grip when drinking. The base slightly tapers inward, adorned with classic meander patterns, adding visual depth and incorporating the traditional Chinese cultural symbolism of “endlessness and continuity.”
Moreover, underglaze red is an exceptionally challenging technique, with a very low success rate. It uses copper as the coloring agent, with patterns directly painted onto the white porcelain body and then covered with a transparent glaze. During firing in a high temperature reducing flame, the copper elements produce a vivid red hue, giving the name “underglaze red.” The rich and vibrant red contrasts sharply with the pure white porcelain, highlighting the unique texture and beauty of the underglaze red.
The entire cup features intertwining lotus patterns as its main motif. In traditional symbolism, the intertwining lotus, known as “wan shou teng” (longevity vine), represents blessings and continuity due to its layered structure and endless growth. In Confucian culture, the lotus symbolizes purity, truth, and beauty, while also being associated with Buddhism. The Chinese word for lotus, “莲” (lián), is a homophone for “连” (continuity), expressing heartfelt wishes and good fortune. As part of traditional Chinese decorative motifs, the intertwining lotus has been passed down through generations, appreciated for both its aesthetic charm and cultural significance. The lotus embodies a sacred and pure elegance—beautiful without being flamboyant, refined without being ostentatious—making it a popular decorative element in everyday life.
This underglaze red censer-style cup is a treasure that perfectly integrates art and practicality. By utilizing the precious underglaze red technique, it harmoniously combines ancient craftsmanship with modern aesthetics. The deep red, reminiscent of dancing flames, shines brilliantly against the pure white porcelain, exuding an aura of nobility and sophistication.
$138.99This lovely teapot, adorned with the pattern “The Jade Rabbit Looks at the Moon,” is a beautiful piece that combines traditional Chinese artistry with exquisite craftsmanship.
Design and Appearance:
- Pattern: The teapot features an elegant design with the motif “The Jade Rabbit Looks at the Moon.” This pattern depicts two white rabbits gazing up at a full moon, surrounded by delicate bamboo leaves, creating a serene and poetic scene.
- Color: The teapot is covered with a bright yellow glaze, featuring rich and vibrant colors. The use of famille rose technique brings the entire overglaze painting to life, making it vivid and full of charm.
Craftsmanship and Techniques:
- Yellow Glaze: The use of yellow glaze is a special technique in Chinese porcelain art. It involves applying a yellow pigment over the ceramic body before firing it in the kiln. This process gives the teapot its striking and vibrant yellow color.
- Famille Rose: Famille rose, or “fencai” in Chinese, is a type of enamel decoration on porcelain. This technique uses a palette of soft and delicate colors, which are painted over the glaze and then fired at a lower temperature. The famille rose technique is evident in the detailed depiction of the rabbits, the moon, and the bamboo leaves, which are finely painted with soft and harmonious colors.
Symbolism and Cultural Significance:
The meaning of “The Jade Rabbit Looks at the Moon” primarily expresses deep longing for loved ones. This meaning originates from an ancient mythological story where the jade rabbit requests to reside in the Moon Palace to accompany Chang’e, thus creating the image of the jade rabbit looking at the moon. This story not only showcases the jade rabbit’s kindness and care for family but also reflects the ancients’ emphasis on family and kinship. In traditional Chinese culture, “The Jade Rabbit Looks at the Moon” is not only a symbol of the Mid-Autumn Festival but also an important cultural element for expressing longing and the desire for reunion.
This teapot is a fine example of traditional Chinese porcelain artistry, combining the vibrant yellow glaze with the delicate and intricate famille rose painting. The “Jade Rabbit Looks at the Moon” motif adds a touch of cultural richness and poetic beauty, making it not only a functional piece for brewing tea but also a beautiful decorative item that can be cherished and admired.
Out of Stock$65.99This Kiln-Transformed Aurora Blue Glaze Gourd-Shaped Fairness Cup is a fine piece that combines traditional craftsmanship with modern aesthetics. Its unique design and variable glaze color present a stunning aurora-like effect.
Design and Appearance
- Shape: The fairness cup features a gourd-shaped design with smooth, flowing lines, making it both aesthetically pleasing and practical. The design of the spout allows for controlled pouring, preventing spills.
- Glaze Color: The exterior glaze is primarily aurora blue, showcasing a rich variety of colors. It transitions from deep blue to soft white, resembling the dance of the aurora in the night sky. The interior glaze is mainly purple and blue, presenting a mysterious starry sky effect.
Craftsmanship and Techniques
- Kiln-Transformation Technique: Kiln-transformation involves controlling the temperature and atmosphere during firing to create natural and unpredictable changes in the glaze. Each kiln-transformed porcelain piece is unique, with different glaze colors and patterns. This fairness cup’s glaze naturally flows during firing, creating beautiful color gradients and texture effects.
- Aurora Blue Glaze: Aurora blue glaze is a special type of glaze that, after high-temperature firing, presents variations in blue and other colors. This glaze is not only visually stunning but also highly durable and resistant to corrosion.
Function and Practicality
- Purpose of the Fairness Cup: In tea ceremonies, a fairness cup is used to evenly distribute tea, ensuring each participant receives tea of the same concentration. The gourd-shaped design is not only beautiful but also offers a comfortable grip and practical use.
- Artistic Value: This fairness cup is not just a practical tea utensil but also a piece of art. Its unique glaze color variation and elegant shape make it highly collectible and visually appealing.
This Kiln-Transformed Aurora Blue Glaze Gourd-Shaped Fairness Cup is a charming tea utensil, whether for daily use or as a collectible art piece. Every use is an appreciation and enjoyment of traditional craftsmanship and modern aesthetics.
Attention:
- Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
- The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
- Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
- Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.
$59.99This Kiln-Transformed Aurora Blue Glaze Gourd-Shaped Fairness Cup is a fine piece that combines traditional craftsmanship with modern aesthetics. Its unique design and variable glaze color present a stunning aurora-like effect.
Design and Appearance
- Shape: The fairness cup features a gourd-shaped design with smooth, flowing lines, making it both aesthetically pleasing and practical. The design of the spout allows for controlled pouring, preventing spills.
- Glaze Color: The exterior glaze is primarily aurora blue, showcasing a rich variety of colors. It transitions from deep blue to soft white, resembling the dance of the aurora in the night sky. The interior glaze is mainly purple and blue, presenting a mysterious starry sky effect.
Craftsmanship and Techniques
- Kiln-Transformation Technique: Kiln-transformation involves controlling the temperature and atmosphere during firing to create natural and unpredictable changes in the glaze. Each kiln-transformed porcelain piece is unique, with different glaze colors and patterns. This fairness cup’s glaze naturally flows during firing, creating beautiful color gradients and texture effects.
- Aurora Blue Glaze: Aurora blue glaze is a special type of glaze that, after high-temperature firing, presents variations in blue and other colors. This glaze is not only visually stunning but also highly durable and resistant to corrosion.
Function and Practicality
- Purpose of the Fairness Cup: In tea ceremonies, a fairness cup is used to evenly distribute tea, ensuring each participant receives tea of the same concentration. The gourd-shaped design is not only beautiful but also offers a comfortable grip and practical use.
- Artistic Value: This fairness cup is not just a practical tea utensil but also a piece of art. Its unique glaze color variation and elegant shape make it highly collectible and visually appealing.
This Kiln-Transformed Aurora Blue Glaze Gourd-Shaped Fairness Cup is a charming tea utensil, whether for daily use or as a collectible art piece. Every use is an appreciation and enjoyment of traditional craftsmanship and modern aesthetics.
Attention:
- Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
- The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
- Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
- Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.
Out of Stock$75.99This cover is fully hand-painted using the blue and white underglaze technology. It is an essential item for many people when brewing tea. It is used to hold teapot lids, Gaiwan lids, and cup lids. It not only keeps the lids of the teaware clean but also prevents them from wetting the tabletop.
Chanzhi Lian, also known as “Interlock Branch Lotus,” is a Chinese decorative motif with the symbolism of “flowers within flowers, blossoms within leaves.” It is also referred to as the “Wanshou Teng,” representing auspiciousness and longevity due to its continuous and interconnected structure, symbolizing the concept of “endless vitality.” In addition, in traditional Chinese Confucian culture, the lotus is seen as the embodiment of truth, goodness, and beauty, as well as a symbol of Buddhism. The pronunciation of “Lian” is similar to the word “continuous” in Chinese, further expressing the idea of continuous growth and conveying positive wishes and emotions.
As part of Chinese traditional ornamentation, Chanzhi Lian has been passed down through generations, reflecting its own beauty and cultural significance with a unique artistic charm. The lotus possesses a sacred and pure temperament, being beautiful without being ostentatious and magnificent without being vulgar. It is precisely because of this aesthetic appeal that Chanzhi Lian has become a decorative pattern applied to various aspects of life.
In this lid saucer, the delicate brushstrokes vividly outline the pattern, creating a glossy and elegant appearance. The colours are rich and vibrant, giving the piece a sense of vivid and liveliness.
Note: All are fully handmade, every lid saucer can be slightly different.
$559.99The style of this super beautiful teacup is Ming, using the underglaze blue technique, and entirely handcrafted and hand painted. The pattern features the classic design of intertwining lotus branches (Chanzhi Lian). What’s even more astonishing is the delicate craftsmanship of this teacup creates a thinness akin to cicada wings, a brilliance reminiscent of glass, and a weightless feel as floating clouds. When held up to the light, the intricately drawn interlocking lotus pattern inside the cup faintly emerges, elusive yet enchanting. It’s as if colorful clouds chase the moon, casting a misty glow, a sight so beautiful it’s beyond words, captivating, and mesmerizing.
The pattern of this beautiful teacup is Chanzhi Lian, which is also known as ‘intertwining lotus branches’ or ‘Interlock Branch Lotus’, which is a Chinese decorative motif with the symbolism of “flowers within flowers, blossoms within leaves.” It is also referred to as the “Wanshou Teng,” representing auspiciousness and longevity due to its continuous and interconnected structure, symbolizing the concept of “endless vitality.” In addition, in traditional Chinese Confucian culture, the lotus is seen as the embodiment of truth, goodness, and beauty, as well as a symbol of Buddhism. The pronunciation of “Lian” is similar to the word “continuous” in Chinese, further expressing the idea of continuous growth and conveying positive wishes and emotions.
As part of Chinese traditional ornamentation, Chanzhi Lian has been passed down through generations, reflecting its own beauty and cultural significance with a unique artistic charm. The lotus possesses a sacred and pure temperament, being beautiful without being ostentatious and magnificent without being vulgar. It is precisely because of this aesthetic appeal that Chanzhi Lian has become a decorative pattern applied to various aspects of life.
The Ruyi motifs on the outside of this teacup also carry auspicious meanings. The Ruyi symbolizes auspiciousness and good fortune. Its rounded and flawless form embodies blessings, satisfaction, and wishes fulfilled. Underneath its graceful appearance, it holds profound significance, representing the auspicious and delightful ideals of good fortune and contentment.
In addition, the beautiful tin spots on the porcelain add even more unique charm to it. The formation of tin spots is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.
In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration. These tin glazes not only add a rustic texture to the teacup but also imbue it with a unique sense of history.
The delicate brushstrokes and intricate detailing of the painting on this teacup create a distinct sense of aesthetic appeal. The stunning underglaze blue, along with the heavy tin glaze, gives it a bold and intense beauty. The thin-walled body also adds another layer of beauty to it. This teacup exudes a simple yet luxuriant charm, reminiscent of the style of imitation Ming, making it truly captivating and irresistible.
$339.99This small and delicate Dou Cai Pi Qiu Hua Gaiwan is meticulously crafted with the technique of clashing colour.
As we all know, Doucai is a precious art form in traditional Chinese porcelain craftsmanship. It originated and was fired during the Xuande period of the Ming Dynasty, and Dou Cai from the Chenghua period of the Ming Dynasty is highly esteemed. Dou Cai is a type of decoration that combines underglaze blue (qinghua) and overglaze colour painting.
Dou Cai involves applying mineral pigments onto the previously fired underglaze blue porcelain, filling in the gaps left by the underglaze blue patterns and colouring the space within the outline of the underglaze blue design. The porcelain is then fired in a lower-temperature kiln (800°C). Dou Cai is renowned for its vibrant and varied colour palette, as well as its refined and sophisticated decorative style that reflects the aesthetic taste of the Ming Dynasty.
The decorative pattern of Pi Qiu Hua (皮球花), also known as little tuan hua (小团花) or embroidery ball flower, evolved from the traditional tuan hua pattern on porcelain. This pattern has been present since the Sui Dynasty, and it combines abstract and representational elements. It takes various forms, resembling a spherical shape, hence the name Pi Qiu Hua (皮球花).
The decorative patterns on Chinese porcelain always carry auspicious meanings. Since the Pi Qiu Hua pattern originated from tuan hua, it inherits the traditional tuan hua motifs such as tuan long (团龙), tuan feng (团凤), and tuan hua (团花). These traditional motifs symbolize the abundance and beauty of life.
This beautiful Gaiwan, with its vibrant colours and exquisite craftsmanship, is an eye-catching presence wherever it is placed. Imagine having a cup of spring tea by using this charming Gaiwan, it could be the most delightful experience for a day!
$429.99The style of this super beautiful Gaiwan is Ming, using the underglaze blue technique, and entirely handcrafted and hand painted. The pattern features the classic design of intertwining Peony branches.
Peony, one of the beloved traditional patterns in our country, holds a special place in the hearts of the Chinese people with its lush and vibrant appearance and striking colors. As a symbol of our national spirit, it embodies the beautiful aspirations and good wishes for life, symbolizing the prosperity and longevity of the Chinese nation, with a history that stretches far into the past. The intertwined peony, known as “Wanshou Teng” or “Peony with Entwined Branches,” is a traditional auspicious pattern, that represents joyous occasions. Its continuous interlocking structure also conveys the meaning of “endless vitality” or “continuous growth.”
In addition, the beautiful tin spots on the porcelain add even more unique charm to it. The formation of tin spots is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.
In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration. This tin glazes not only add a rustic texture to the Gaiwan but also imbue it with a unique sense of history.
This Gaiwan exudes a charming style reminiscent of imitating the essence of Yuan Dynasty tea sets.
Out of Stock$259.99This Gaiwan is completely handmade and hand-painted. The special craft used in this teaware includes Blue and white underglaze colour and underglaze red. The special horseshoe-shaped design allows for easy handling and prevents becoming too hot to touch.
The pattern featured is called “Bao Xiang” in Chinese, which is a traditional decorative motif representing one of the auspicious three treasures (Bao Xiang flower, Money tree, and Treasure basin), prevalent during the Sui and Tang dynasties in China. Bao Xiang pattern is also known as ‘Bao Xian Hua’ or ‘Bao Lian Hua’. Its lines are clear, and the colour is serene and antique. The Bao Xiang pattern design of this teaware is neat, and complex but not messy, and the whole picture of it is full and rich in details.
In Chinese culture, the Bao Xiang pattern symbolizes auspiciousness and happiness, representing people’s aspirations for happiness. It is widely popular in the decoration of silk brocade, bronze mirrors, and porcelain, showcasing people’s pursuit of a better life.
This Gaiwan features smooth and concise curves, combining the unique beauty of the Bao Xiang pattern, creating a visually appealing and enjoyable tea-drinking experience. The blue and red underglaze colours complement each other and create a beautiful radiance.
Out of Stock$189.99This tea tray is completely handmade and hand-painted. The pattern featured is called “Bao Xiang” in Chinese, which is a traditional decorative motif representing one of the auspicious three treasures (Bao Xiang flower, Money tree, and Treasure basin), prevalent during the Sui and Tang dynasties in China. Bao Xiang pattern is also known as ‘Bao Xian Hua’ or ‘Bao Lian Hua’. Its lines are clear, and the colour is serene and antique. The Bao Xiang pattern design of this teaware is neat, and complex but not messy, and the whole picture of it is full and rich in details.
In Chinese culture, the Bao Xiang pattern symbolizes auspiciousness and happiness, representing people’s aspirations for happiness. It is widely popular in the decoration of silk brocade, bronze mirrors, and porcelain, showcasing people’s pursuit of a better life.
This tea tray features smooth and concise curves, combining the unique beauty of the Bao Xiang pattern, creating a visually appealing and enjoyable tea-drinking experience.
Out of Stock$199.99This Gaiwan is completely handmade and hand-painted. The pattern featured is called “Bao Xiang” in Chinese, which is a traditional decorative motif representing one of the auspicious three treasures (Bao Xiang flower, Money tree, and Treasure basin), prevalent during the Sui and Tang dynasties in China. Bao Xiang pattern is also known as ‘Bao Xian Hua’ or ‘Bao Lian Hua’. Its lines are clear, and the colour is serene and antique. The Bao Xiang pattern design of this teaware is neat, and complex but not messy, and the whole picture of it is full and rich in details.
In Chinese culture, the Bao Xiang pattern symbolizes auspiciousness and happiness, representing people’s aspirations for happiness. It is widely popular in the decoration of silk brocade, bronze mirrors, and porcelain, showcasing people’s pursuit of a better life.
This Gaiwan features smooth and concise curves, combining the unique beauty of the Bao Xiang pattern, creating a visually appealing and enjoyable tea-drinking experience.
Out of Stock$769.99The style of this super beautiful Gaiwan is Ming, using the underglaze blue technique, and entirely handcrafted and hand painted. The pattern features the classic design of intertwining lotus branches (Chanzhi Lian).
Chanzhi Lian, also known as ‘intertwining lotus branches’ or ‘Interlock Branch Lotus’, is a Chinese decorative motif with the symbolism of “flowers within flowers, blossoms within leaves.” It is also referred to as the “Wanshou Teng,” representing auspiciousness and longevity due to its continuous and interconnected structure, symbolizing the concept of “endless vitality.” In addition, in traditional Chinese Confucian culture, the lotus is seen as the embodiment of truth, goodness, and beauty, as well as a symbol of Buddhism. The pronunciation of “Lian” is similar to the word “continuous” in Chinese, further expressing the idea of continuous growth and conveying positive wishes and emotions.
As part of Chinese traditional ornamentation, Chanzhi Lian has been passed down through generations, reflecting its own beauty and cultural significance with a unique artistic charm. The lotus possesses a sacred and pure temperament, being beautiful without being ostentatious and magnificent without being vulgar. It is precisely because of this aesthetic appeal that Chanzhi Lian has become a decorative pattern applied to various aspects of life.
The Ruyi motifs on the outside of this flat-bottom Gaiwan also carry auspicious meanings. The Ruyi symbolizes auspiciousness and good fortune. Its rounded and flawless form embodies blessings, satisfaction, and wishes fulfilled. Underneath its graceful appearance, it holds profound significance, representing the auspicious and delightful ideals of good fortune and contentment.
In addition, the beautiful tin spots on the porcelain add even more unique charm to it. The formation of tin spots is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.
In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration. This tin glazes not only add a rustic texture to the Gaiwan but also imbue it with a unique sense of history.
The delicate brushstrokes and intricate detailing of the painting on this Gaiwan create a distinct sense of aesthetic appeal. The stunning underglaze blue, along with the heavy tin glaze, gives it a bold and intense beauty. This Gaiwan exudes a simple yet luxuriant charm, reminiscent of the style of imitation Ming, making it truly captivating and irresistible.
Out of Stock$999.99This Gaiwan is handcrafted using the technique of Blue-and-white underglaze colour and enamel glazed painting. The design features a pattern of butterflies amid flowers, displaying rich and lifelike colours, creating a unique and charming ambiance.
Blue and White Enamel is a distinctive porcelain decoration technique that combines the traditional methods of blue and white with enamel. It is a variation of the traditional Chinese porcelain production, blending the characteristics of blue and white with enamel, resulting in a captivating and unique decorative style.
Blue and White refers to the technique of painting blue patterns on the porcelain surface. It originated during the Yuan dynasty but reached its peak during the Ming and Qing dynasties. This decorative method uses cobalt oxide blue pigments that fuse with the porcelain surface at high temperatures, ensuring the patterns’ durability.
Enamel, on the other hand, is a decorative technique that involves transplanting the cloisonné enamel method onto a porcelain body as an overglaze colour decoration. Enamel decoration on porcelain, known as “Fàlángcǎi” in Chinese, entails painting colourful patterns on the porcelain surface and then firing it at high temperatures to fuse the colours with the porcelain, achieving a durable and splendid design. These patterns often feature exquisite themes such as flowers, birds, figures, and landscapes, reflecting the essence of traditional Chinese culture and art.
The process of creating enamel decorations is extremely intricate and complex, requiring skilled and experienced craftsmen. First, the porcelain prototype is made, and then special mineral pigments are used to paint patterns on its surface. Once the painting is completed, a series of firing processes follow, during which the temperature and timing for both the porcelain and the enamel colours are crucial factors. Improper temperature or timing can result in cracks in the porcelain or unstable colours. Enamel decoration is considered a treasure in traditional Chinese craftsmanship, representing the wisdom and skills of ancient Chinese artisans.
The combination of blue and white enamel unites these two techniques, typically starting with the blue and white technique to depict blue patterns, and then applying enamel decoration to add additional colours and enhance the visual effect and three-dimensional sense of the design. This decorative method enriches the patterns on the porcelain while preserving the distinctive features of both blue and white and enamel techniques. During the Ming and Qing dynasties, blue and white enamel reached its peak and became one of the main styles for porcelain decoration at that time.
The design of this Gaiwan showcases lifelike patterns of butterflies amid flowers. “Butterflies in Love with Flowers” symbolizes sweet love and blissful marriage. In recent times, people have endowed this motif with more profound meanings, expressing good wishes and symbolizing beautiful and prosperous love. Butterflies are often seen as symbols of happiness and love, inspiring and captivating people’s imagination, and aspirations. In traditional Chinese literature, a pair of flying butterflies represents the pursuit of free and passionate love. Butterflies are loyal to their mates, having only one partner throughout their lives, making them a symbol of fidelity in the insect world. Moreover, there is a beautiful Chinese folktale known as “The Butterfly Lovers,” which further enhances the symbolism of sweet love and harmonious marriage associated with the motif of butterflies and flowers.
This enamel-decorated Gaiwan displays a rich and colourful palette, with lively and dynamic brushstrokes, immersing people in an elegant artistic ambiance while enjoying their tea.
$899.99The style of this super beautiful Gaiwan is Ming, using the underglaze blue technique, and entirely handcrafted and hand painted. The pattern features the classic design of intertwining lotus branches (Chanzhi Lian).
Chanzhi Lian, also known as ‘intertwining lotus branches’ or ‘Interlock Branch Lotus’, is a Chinese decorative motif with the symbolism of “flowers within flowers, blossoms within leaves.” It is also referred to as the “Wanshou Teng,” representing auspiciousness and longevity due to its continuous and interconnected structure, symbolizing the concept of “endless vitality.” In addition, in traditional Chinese Confucian culture, the lotus is seen as the embodiment of truth, goodness, and beauty, as well as a symbol of Buddhism. The pronunciation of “Lian” is similar to the word “continuous” in Chinese, further expressing the idea of continuous growth and conveying positive wishes and emotions.
As part of Chinese traditional ornamentation, Chanzhi Lian has been passed down through generations, reflecting its own beauty and cultural significance with a unique artistic charm. The lotus possesses a sacred and pure temperament, being beautiful without being ostentatious and magnificent without being vulgar. It is precisely because of this aesthetic appeal that Chanzhi Lian has become a decorative pattern applied to various aspects of life.
In addition, the beautiful tin spots on the porcelain add even more unique charm to it. The formation of tin spots is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.
In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration. This tin glazes not only add a rustic texture to the Gaiwan but also imbue it with a unique sense of history.
The delicate brushstrokes and intricate detailing of the painting on this Gaiwan create a distinct sense of aesthetic appeal. The soft and elegant shade of underglaze blue, along with a hint of faint tin glaze, gives it a graceful and ethereal beauty under the light. This Gaiwan exudes a simple yet elegant charm, reminiscent of the style of imitation Ming, making it truly captivating and irresistible.
Out of Stock$769.99[vc_row et_row_padding="true" el_class="p-variations"][vc_column width="1/3" offset="vc_col-xs-4"][et_image alignment="aligncenter" image="30301" img_link="url:/p/hand-painted-twin-lotus-gaiwan-tall/"][/et_image][/vc_column][vc_column width="1/3" offset="vc_col-xs-4"][et_image alignment="aligncenter" image="30274" extra_class="p-current"][/et_image][/vc_column][vc_column width="1/3" offset="vc_col-xs-4"][/vc_column][/vc_row]The style of this super beautiful Gaiwan is Ming, using the underglaze blue technique, and entirely handcrafted and hand painted. The pattern on the lid features a classic design of intertwining lotus branches (known as Chanzhi Lian), while the pattern on the body of Gaiwan showcases the traditional Chinese twin lotus motif. The design of the tall style with an outward-flared mouth extends the curvature of the Gaiwan, making it less likely to scald one’s hand during use. The short style, on the other hand, is delicate and compact, with a thicker body, suitable for tea drinkers with smaller hands.
In ancient China, the twin lotus due to its symbolic meaning is regarded as the gentleman among flowers. It represents the finest specimen among lotus flowers and symbolises a harmonious and everlasting union. The twin lotus, with one stem and two blooms, epitomizes the notion of unity, shared roots, shared blessings, and shared existence. Besides that, in ancient literary works, the twin lotus is acclaimed as a symbol of love, conveying the message of marital harmony, happiness, and representing the tender affection between lovers. It is also associated with deep brotherly love, signifying profound emotional bonds between siblings. In folklore, the appearance of twin lotus is considered an auspicious sign of good fortune.
In addition, the beautiful tin spots on the porcelain add even more unique charm to it. The formation of tin spots is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.
In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration. This tin glazes not only add a rustic texture to the Gaiwan but also imbue it with a unique sense of history.
The delicate brushstrokes and intricate detailing of the painting on this Gaiwan create a distinct sense of aesthetic appeal. The soft and elegant shade of underglaze blue, along with a hint of faint tin glaze, gives it a graceful and ethereal beauty under the light. This Gaiwan exudes a simple yet elegant charm, reminiscent of the style of imitation Ming, making it truly captivating and irresistible.
Out of Stock$769.99[vc_row et_row_padding="true" el_class="p-variations"][vc_column width="1/3" offset="vc_col-xs-4"][et_image alignment="aligncenter" image="30301" extra_class="p-current"][/et_image][/vc_column][vc_column width="1/3" offset="vc_col-xs-4"][et_image alignment="aligncenter" image="30274" img_link="url:%2Fp%2Fhand-painted-twin-lotus-gaiwan-short%2F"][/et_image][/vc_column][vc_column width="1/3" offset="vc_col-xs-4"][/vc_column][/vc_row]The style of this super beautiful Gaiwan is Ming, using the underglaze blue technique, and entirely handcrafted and hand painted. The pattern on the lid features a classic design of intertwining lotus branches (known as Chanzhi Lian), while the pattern on the body of Gaiwan showcases the traditional Chinese twin lotus motif. The design of the tall style with an outward-flared mouth extends the curvature of the Gaiwan, making it less likely to scald one’s hand during use. The short style, on the other hand, is delicate and compact, with a thicker body, suitable for tea drinkers with smaller hands.
In ancient China, the twin lotus due to its symbolic meaning is regarded as the gentleman among flowers. It represents the finest specimen among lotus flowers and symbolises a harmonious and everlasting union. The twin lotus, with one stem and two blooms, epitomizes the notion of unity, shared roots, shared blessings, and shared existence. Besides that, in ancient literary works, the twin lotus is acclaimed as a symbol of love, conveying the message of marital harmony, happiness, and representing the tender affection between lovers. It is also associated with deep brotherly love, signifying profound emotional bonds between siblings. In folklore, the appearance of twin lotus is considered an auspicious sign of good fortune.
In addition, the beautiful tin spots on the porcelain add even more unique charm to it. The formation of tin spots is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.
In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration. This tin glazes not only add a rustic texture to the Gaiwan but also imbue it with a unique sense of history.
The delicate brushstrokes and intricate detailing of the painting on this Gaiwan create a distinct sense of aesthetic appeal. The soft and elegant shade of underglaze blue, along with a hint of faint tin glaze, gives it a graceful and ethereal beauty under the light. This Gaiwan exudes a simple yet elegant charm, reminiscent of the style of imitation Ming, making it truly captivating and irresistible.
$520.99This charming Gaiwan is using blue and white porcelain craftsmanship, made entirely by hand.
One of the patterns depicts a pair of phoenixes. The phoenix, known as the “Fenghuang” in Chinese, is a mythical bird considered to be the king of all birds and a symbol of auspiciousness, beauty, and grace. It represents virtue, harmony, and the union of yin and yang. When depicted as a pair, the double phoenix symbolizes the ideal relationship between a male and a female. It represents the union of two exceptional individuals or the coming together of two extraordinary things. It signifies a harmonious and balanced partnership, whether in love, marriage, or any collaborative endeavour. The double phoenix is often associated with blessings, prosperity, and good fortune. It is believed to bring luck, happiness, and success, as well as symbolize marital bliss, loyalty, and everlasting love.
Another pattern used on this Gaiwan is Chanzhi Lian. Chanzhi Lian, also known as “Interlock Branch Lotus,” is a Chinese decorative motif with the symbolism of “flowers within flowers, blossoms within leaves.” It is also referred to as the “Wanshou Teng,” representing auspiciousness and longevity due to its continuous and interconnected structure, symbolizing the concept of “endless vitality.” In addition, in traditional Chinese Confucian culture, the lotus is seen as the embodiment of truth, goodness, and beauty, as well as a symbol of Buddhism. The pronunciation of “Lian” is similar to the word “continuous” in Chinese, further expressing the idea of continuous growth and conveying positive wishes and emotions.
As part of Chinese traditional ornamentation, Chanzhi Lian has been passed down through generations, reflecting its own beauty and cultural significance with a unique artistic charm. The lotus possesses a sacred and pure temperament, being beautiful without being ostentatious and magnificent without being vulgar. It is precisely because of this aesthetic appeal that Chanzhi Lian has become a decorative pattern applied to various aspects of life.
The texture of this Gaiwan is delicate and smooth, and the painting is lively and lifelike. The entire production process is completed by hand, with every detail carefully designed and polished, giving this Gaiwan a unique artistic charm. This tea ware by imitating the shape and style of traditional Chinese tea ware, allowing people to appreciate the charm of traditional art and experience the flavour of history. The elegant lines, smooth curves, and delicate decorations present a sense of refined and harmonious beauty, allowing people to experience pleasure and artistic enjoyment while tasting tea.
