Handmade Wood Fired Kiln Altered Red Tea Cup

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  Hand Painted Chanzhi Lian Tea Cup

  $515.99

  The style of this super beautiful teacup is Ming, using the underglaze blue technique, and entirely handcrafted and hand painted. The pattern features the classic design of intertwining lotus branches (Chanzhi Lian).

  Chanzhi Lian, also known as ‘intertwining lotus branches’ or ‘Interlock Branch Lotus’, is a Chinese decorative motif with the symbolism of “flowers within flowers, blossoms within leaves.” It is also referred to as the “Wanshou Teng,” representing auspiciousness and longevity due to its continuous and interconnected structure, symbolizing the concept of “endless vitality.” In addition, in traditional Chinese Confucian culture, the lotus is seen as the embodiment of truth, goodness, and beauty, as well as a symbol of Buddhism. The pronunciation of “Lian” is similar to the word “continuous” in Chinese, further expressing the idea of continuous growth and conveying positive wishes and emotions.

  As part of Chinese traditional ornamentation, Chanzhi Lian has been passed down through generations, reflecting its own beauty and cultural significance with a unique artistic charm. The lotus possesses a sacred and pure temperament, being beautiful without being ostentatious and magnificent without being vulgar. It is precisely because of this aesthetic appeal that Chanzhi Lian has become a decorative pattern applied to various aspects of life.

  In addition, the beautiful tin spots on the porcelain add even more unique charm to it. The formation of tin spots is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

  In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration. This tin glazes not only add a rustic texture to the teacup but also imbue it with a unique sense of history.

  The delicate brushstrokes and intricate detailing of the painting on this teacup create a distinct sense of aesthetic appeal. The soft and elegant shade of underglaze blue, along with a hint of faint tin glaze, gives it a graceful and ethereal beauty under the light. This teacup exudes a simple yet elegant charm, reminiscent of the style of imitation Ming, making it truly captivating and irresistible.

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  Hand Painted Yuan Style Heron and Lotus Tea Cup

  $279.99

  This teacup is made in the style of the Yuan dynasty blue and white porcelain, matt glaze finish, completely handmade and hand painted. The pattern of “一鹭莲科” or “一路连科” in Chinese culture is derived from the beautiful combination of the heron and lotus leaves. As “鹭” (heron) and “路” (path/road) have the same pronunciation, and “莲” (lotus) sounds like “连” (successive/continuous), the name “一路连科” is a play on words that conveys the beautiful meaning of the pattern. In ancient times, successive successful candidates in the imperial examinations were called “连科,” and “一路连科” is a good wish for students to have a smooth career path and achieve success step by step.

  For Yuan blue and white porcelain refers to the blue and white porcelain produced during the Yuan dynasty (1271-1368) in China. The Yuan dynasty was an important period in the history of Chinese porcelain and one of the peaks of Chinese porcelain art. As one of the representatives of that era, Yuan blue and white porcelain exhibited unique artistic styles and technical levels. The characteristic of Yuan blue and white is the use of cobalt blue pigment for painting, which is made of cobalt oxide. After firing, the colour is bright and rich, with extremely high decorative effect. Yuan blue and white porcelain has various shapes, thick and heavy, concise, and fluent lines, and stable and solemn shapes, all made exquisitely.

  The evolution of Yuan blue and white is based on the foundation of Tang and Song celadon. Firstly, the glaze colour was improved and innovated. Unique white glaze, eggshell glaze and blue-white glaze were invented to make the glaze crystal clear. Cobalt pigment was imported for glaze colouring. Or using pigment made from domestic materials.

  The formation of tin spots on Yuan blue and white is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

  In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration.

  This teacup is small and exquisite and uses the Su Ma Li Qing glaze material (a kind of blue pigment), with a heavy sense of tin spots, revealing a unique charm of the past era. The entire production process is completed by hand, and every detail has been carefully designed and polished, giving this teacup a unique artistic charm.

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• 

  Hand Painted Heart Shaped Bao Xiang Tea Cup

  $189.99

  This heart shaped teacup is completely handmade, and hand painted. The special craft used in this teaware includes Blue and white underglaze colour and underglaze red.

  The pattern featured is called “Bao Xiang” in Chinese, which is a traditional decorative motif representing one of the auspicious three treasures (Bao Xiang flower, Money tree, and Treasure basin), prevalent during the Sui and Tang dynasties in China. Bao Xiang pattern is also known as ‘Bao Xian Hua’ or ‘Bao Lian Hua’. Its lines are clear, and the colour is serene and antique. The Bao Xiang pattern design of this teaware is neat, and complex but not messy, and the whole picture of it is full and rich in details.

  In Chinese culture, the Bao Xiang pattern symbolizes auspiciousness and happiness, representing people’s aspirations for happiness. It is widely popular in the decoration of silk brocade, bronze mirrors, and porcelain, showcasing people’s pursuit of a better life.

  This heart shaped teacup features smooth and concise curves, combining the unique beauty of Bao Xiang pattern, creating a visually appealing and enjoyable tea-drinking experience. The blue and red underglaze colours complement each other and create a beautiful radiance.

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  Hand Painted Za Bao Chicken Heart Tea Cup

  $645.99

  The style of this super beautiful teacup is Ming, using the underglaze blue technique, and entirely handcrafted and hand painted.

  This cup is adorned with intricate blue and white patterns of interwoven branches and miscellaneous treasures (Za Bao in Chinese) on the outer wall, with a lotus petal pattern encircling the base. The interior of the cup is fully covered in blue and white patterns of Baoxiang flowers and Ruyi motifs, creating an overall design that is rich and detailed, with smooth and flowing lines. The blue and white colours are deep and elegant, with a white glaze featuring subtle flashes of blue. The glaze surface is glossy, and the texture is smooth. The cup has a lightweight and elegant shape, achieving a harmonious balance between practicality and aesthetics. At the bottom, there is a chicken-heart-shaped protrusion, hence the name ‘chicken-heart teacup’.

  In ancient China, the intertwined branch pattern represented the concept of endless growth and lasting wealth and prosperity, symbolizing longevity, and prosperity. And the miscellaneous treasures (Za Bao in Chinese) pattern symbolizes various decorative motifs that bring good luck and auspiciousness. Due to the absence of a fixed number and combination of elements, it is commonly known as the “miscellaneous treasures” pattern. The miscellaneous treasures pattern encompasses the common aspirations of society for power, wealth, love, happiness, longevity, and pleasure, making it a popular and cherished design in folk art.

  The Baoxiang flowers inside the cup symbolize good luck, harmony, happiness, and prosperity. The Ruyi motif’s auspiciousness, combining profound meaning with graceful form, represents the auspicious, favourable implications.

  In addition, the beautiful tin spots on the porcelain add even more unique charm to it. The formation of tin spots is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

  In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration. This tin glazes not only add a rustic texture to the teacup but also imbue it with a unique sense of history.

  The body of this teacup is smooth and well-lubricated, while the underglaze blue patterns are vivid and lifelike. The faint tin specks add a touch of charm from a bygone era, evoking a sense of nostalgia and natural beauty, making it exquisitely graceful. Each stroke of the underglaze blue decoration is delicate and captivating, bringing the design to life. The intricate and refined patterns showcase the artist’s profound artistic skills.

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