Tea Trays

Chinese tea tray can be found in two main different types: one features a built-in drainage system, known as ‘Cha Pan’ in Chinese; the other is a support or holder specifically designed for placing teapots, referred to as ‘Hu Cheng’ in Chinese. Though they bear some similarities, the key distinction between them is seen in their use during dry brewing and wet brewing. In the case of dry brewing, only the Gaiwan and the fair cup get wet, facilitating the use of the simpler and smaller Hu Cheng as a replacement for the larger and heavier Cha Pan. Conversely, during the wet brewing process, all the tea wares can become wet, thereby making the Cha Pan, with its primary function being drainage, the centrepiece of the procedure.

Cha Pan is typically larger than Hu Cheng. It affords a space for holding teapots, teacups, and other items utilised in the Gong Fu brewing method. The incorporated drainage system captures excess water, preventing it from spilling onto the table. This feature is particularly handy when brewing certain teas that necessitate extremely high temperatures, as it is often required to pour hot water over the teapot.

In comparison to Cha Pan, Hu Cheng can be considerably smaller. Its purpose is to elevate the teapot above the surface, shielding the table from potential heat damage and safeguarding the teapot from possible harm. While it can contain some water spilled during tea brewing, its capacity is significantly less than that of the Cha Pan.

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                                        16 Products

                                        • Round Coarse Pottery Tea TrayRound Coarse Pottery Tea Tray Out of Stock
                                          $22.99

                                          This coarse pottery tea tray is simple and reserved, adorned with hand-pulled mysterious patterns, showcasing its natural and rustic beauty. The exterior of the tea tray presents a rich texture and deep colour, giving a sense of simplicity and solidity.

                                        • Hand Painted Antique Clay Glaze Bamboo Tea TrayHand Painted Antique Clay Glaze Bamboo Tea Tray
                                          $99.99

                                          This tea tray is made with antique clay glaze, which gives it a smooth and lustrous surface, as well as a thick and sturdy body, evoking a sense of ancient elegance, tranquillity, and warmth. The hand-painted strokes are lively and natural, depicting the bamboo forest and rocks with lifelike accuracy.

                                          The Chinese bamboo forest and rocks have profound symbolic meanings in culture and art. The bamboo forest symbolizes resilience and humility. Bamboo is known for its strong vitality and flexible nature, able to withstand harsh winters and remain upright. This characteristic has made bamboo a symbol of traditional virtues in China, including perseverance, resilience in adversity, and modesty. Additionally, the bamboo forest is often seen as a place of seclusion, representing the pursuit of inner freedom and tranquillity. Rocks, on the other hand, symbolize stability and steadfastness. In Chinese art, rocks are frequently depicted as rugged, majestic, and serene. They represent the eternal and unchanging aspects of the natural world, as well as the values of determination and stability that people strive for in life. Rocks are also seen as symbols of wisdom and longevity, standing tall and unwavering despite the passage of time.

                                          Furthermore, the tea tray is crafted using the overglaze colour painting craft, which produces pure, vibrant, and full colours. Since tea tray is hand-painted by an artist, every piece is unique and machine-printed decals cannot compare with.

                                        • Hand Painted Antique Clay Glaze San Duo Tea TrayHand Painted Antique Clay Glaze San Duo Tea Tray
                                          $99.99

                                          This tea tray is made with imitation antique clay glaze, with a smooth and glossy glaze surface and a thick and solid body, giving it a sense of antique elegance, tranquillity, and warmth. The hand-painted picture is vivid and natural, depicting lifelike pomegranates.

                                          ‘San Duo’ is a traditional auspicious pattern in China, originating from the phrase “Hua Feng San Zhu Duo Fu, Duo Shou, Duo Zi,” which means “abundant blessings, longevity, and many children.” Traditional patterns often consist of Buddha’s hand citron, peaches, and pomegranates. This pattern features pomegranates. In ancient China, pomegranates symbolized a prosperous and auspicious life with abundance, good fortune, and prosperity. The pomegranate is red both inside and outside, symbolizing a vibrant life and passionate individuals. As the pomegranate has numerous seeds, people use it as a symbol of wishing for a large and prosperous family, and the ancients referred to it as ‘a thousand chambers with the same membrane, a thousand children as one’.

                                          This tea tray is made using the overglaze technique, with vibrant and full colours in the painted design. Each lid bowl is individually hand-painted by skilled artists, making each one unique and machine-printed decals cannot compare with.

                                        • Hand Painted Bao Xiang Gaiwan Set - LotusHand Painted Bao Xiang Gaiwan Set - Lotus
                                          $195.99

                                          This tea tray is completely handmade and hand-painted. The pattern featured is called “Bao Xiang” in Chinese, which is a traditional decorative motif representing one of the auspicious three treasures (Bao Xiang flower, Money tree, and Treasure basin), prevalent during the Sui and Tang dynasties in China. Bao Xiang pattern is also known as ‘Bao Xian Hua’ or ‘Bao Lian Hua’. Its lines are clear, and the colour is serene and antique. The Bao Xiang pattern design of this teaware is neat, and complex but not messy, and the whole picture of it is full and rich in details.

                                          In Chinese culture, the Bao Xiang pattern symbolizes auspiciousness and happiness, representing people’s aspirations for happiness. It is widely popular in the decoration of silk brocade, bronze mirrors, and porcelain, showcasing people’s pursuit of a better life.

                                          This tea tray features smooth and concise curves, combining the unique beauty of the Bao Xiang pattern, creating a visually appealing and enjoyable tea-drinking experience.

                                        • Hand Painted Bao Xiang Gaiwan SetHand Painted Bao Xiang Gaiwan Set
                                          $189.99

                                          This tea tray is completely handmade and hand-painted. The pattern featured is called “Bao Xiang” in Chinese, which is a traditional decorative motif representing one of the auspicious three treasures (Bao Xiang flower, Money tree, and Treasure basin), prevalent during the Sui and Tang dynasties in China. Bao Xiang pattern is also known as ‘Bao Xian Hua’ or ‘Bao Lian Hua’. Its lines are clear, and the colour is serene and antique. The Bao Xiang pattern design of this teaware is neat, and complex but not messy, and the whole picture of it is full and rich in details.

                                          In Chinese culture, the Bao Xiang pattern symbolizes auspiciousness and happiness, representing people’s aspirations for happiness. It is widely popular in the decoration of silk brocade, bronze mirrors, and porcelain, showcasing people’s pursuit of a better life.

                                          This tea tray features smooth and concise curves, combining the unique beauty of the Bao Xiang pattern, creating a visually appealing and enjoyable tea-drinking experience.

                                        • Hand Painted YuanBao Shaped Bao Xiang Gaiwan SetHand Painted YuanBao Shaped Bao Xiang Gaiwan Set
                                          $229.99

                                          This tea tray is completely handmade and hand-painted. The special craft used in this teaware includes Blue and white underglaze colour and underglaze red.

                                          The pattern featured is called “Bao Xiang” in Chinese, which is a traditional decorative motif representing one of the auspicious three treasures (Bao Xiang flower, Money tree, and Treasure basin), prevalent during the Sui and Tang dynasties in China. Bao Xiang pattern is also known as ‘Bao Xian Hua’ or ‘Bao Lian Hua’. Its lines are clear, and the colour is serene and antique. The Bao Xiang pattern design of this teaware is neat, and complex but not messy, and the whole picture of it is full and rich in details.

                                          In Chinese culture, the Bao Xiang pattern symbolizes auspiciousness and happiness, representing people’s aspirations for happiness. It is widely popular in the decoration of silk brocade, bronze mirrors, and porcelain, showcasing people’s pursuit of a better life.

                                          This tea tray features smooth and concise curves, combining the unique beauty of the Bao Xiang pattern, creating a visually appealing and enjoyable tea-drinking experience. The blue and red underglaze colours complement each other and create a beautiful radiance.

                                        • Hand Painted Camellia Ruyi Pattern Tea TrayHand Painted Camellia Ruyi Pattern Tea Tray
                                          $519.99

                                          This tea tray is crafted with antique-style clay and meticulously made using underglaze blue techniques. Its delicate brushwork, subtle tin speckles, and warm, solid texture unique to antique-style clay imbue this tea tray with an aura of classical elegance and exquisite beauty.

                                          The decorative pattern on this tea tray features camellia flowers, adorned with Ruyi motifs on the sides. In ancient China, camellia flowers held rich symbolism and meaning. Firstly, camellia flowers symbolize resilience. As one of the few flowers that bloom in winter, camellias demonstrate remarkable endurance and can bloom independently even in the harsh cold. Therefore, camellias represent tenacity and the need for unwavering perseverance to achieve success. Secondly, camellias also symbolize love. With their vibrant colours and blossoms resembling smiling lips, camellias are not only beautiful but also convey passion. They are often used to express love, symbolizing the warmth and beauty of romantic affection. Lastly, camellias signify purity. Their simple coloration, free from the complexity and flamboyance of other flowers, makes them a symbol of purity and freshness, representing a pure and innocent heart.

                                          The Ruyi motifs on the sides of this tea tray also carry auspicious meanings. The Ruyi symbolizes auspiciousness and good fortune. Its rounded and flawless form embodies blessings, satisfaction, and wishes fulfilled. Underneath its graceful appearance, it holds profound significance, representing the auspicious and delightful ideals of good fortune and contentment.

                                          Expect those two traditional patterns, the beautiful tin speckles on the porcelain further enhance its unique charm. The formation of tin spots on Yuan blue and white is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

                                          In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration.

                                          The body of this tea tray has a smooth and lustrous texture, with underglaze blue patterns that appear vivid and lifelike. The subtle tin speckles add a touch of nostalgia and natural beauty, exuding an old-world charm. Every brushstroke of the underglaze blue design is enchanting and vibrant. This beautiful blue-and-white tea tray not only embellishes your tea setting but also embodies the continuation of ancient culture and the expression of aesthetics. It allows you to immerse yourself in a graceful artistic atmosphere while enjoying your tea.

                                        • Hand Painted Dou Cai Pi Qiu Hua Tea TrayHand Painted Dou Cai Pi Qiu Hua Gaiwan
                                          $279.99

                                          This small and delicate Dou Cai Pi Qiu Hua tea tray is meticulously crafted with the technique of clashing colour.

                                          As we all know, Doucai is a precious art form in traditional Chinese porcelain craftsmanship. It originated and was fired during the Xuande period of the Ming Dynasty, and Dou Cai from the Chenghua period of the Ming Dynasty is highly esteemed. Dou Cai is a type of decoration that combines underglaze blue (qinghua) and overglaze colour painting.

                                          Dou Cai involves applying mineral pigments onto the previously fired underglaze blue porcelain, filling in the gaps left by the underglaze blue patterns and colouring the space within the outline of the underglaze blue design. The porcelain is then fired in a lower-temperature kiln (800°C). Dou Cai is renowned for its vibrant and varied colour palette, as well as its refined and sophisticated decorative style that reflects the aesthetic taste of the Ming Dynasty.

                                          The decorative pattern of Pi Qiu Hua (皮球花), also known as little tuan hua (小团花) or embroidery ball flower, evolved from the traditional tuan hua pattern on porcelain. This pattern has been present since the Sui Dynasty, and it combines abstract and representational elements. It takes various forms, resembling a spherical shape, hence the name Pi Qiu Hua (皮球花).

                                          The decorative patterns on Chinese porcelain always carry auspicious meanings. Since the Pi Qiu Hua pattern originated from tuan hua, it inherits the traditional tuan hua motifs such as tuan long (团龙), tuan feng (团凤), and tuan hua (团花). These traditional motifs symbolize the abundance and beauty of life.

                                          This beautiful tea tray, with its vibrant colours and exquisite craftsmanship, is an eye-catching presence wherever it is placed. Imagine having a cup of spring tea by using this charming tea tray, it could be the most delightful experience for a day!

                                        • Hand Painted Golden Enamel Butterfly Loves Flower Tea Tray
                                          $1,168.99

                                          This tea tray is handcrafted using the technique of Blue-and-white underglaze colour and enamel glazed paint. The design features a pattern of butterflies amid flowers, displaying rich and lifelike colours, creating a unique and charming ambiance.

                                          Blue and White Enamel is a distinctive porcelain decoration technique that combines the traditional methods of blue and white with enamel. It is a variation of the traditional Chinese porcelain production, blending the characteristics of blue and white with enamel, resulting in a captivating and unique decorative style.

                                          Blue and White refers to the technique of painting blue patterns on the porcelain surface. It originated during the Yuan dynasty but reached its peak during the Ming and Qing dynasties. This decorative method uses cobalt oxide blue pigments that fuse with the porcelain surface at high temperatures, ensuring the patterns’ durability.

                                          Enamel, on the other hand, is a decorative technique that involves transplanting the cloisonné enamel method onto a porcelain body as an overglaze colour decoration. Enamel decoration on porcelain, known as “Fàlángcǎi” in Chinese, entails painting colourful patterns on the porcelain surface and then firing it at high temperatures to fuse the colours with the porcelain, achieving a durable and splendid design. These patterns often feature exquisite themes such as flowers, birds, figures, and landscapes, reflecting the essence of traditional Chinese culture and art.

                                          The process of creating enamel decorations is extremely intricate and complex, requiring skilled and experienced craftsmen. First, the porcelain prototype is made, and then special mineral pigments are used to paint patterns on its surface. Once the painting is completed, a series of firing processes follow, during which the temperature and timing for both the porcelain and the enamel colours are crucial factors. Improper temperature or timing can result in cracks in the porcelain or unstable colours. Enamel decoration is considered a treasure in traditional Chinese craftsmanship, representing the wisdom and skills of ancient Chinese artisans.

                                          The combination of blue and white enamel unites these two techniques, typically starting with the blue and white technique to depict blue patterns, and then applying enamel decoration to add additional colours and enhance the visual effect and three-dimensional sense of the design. This decorative method enriches the patterns on the porcelain while preserving the distinctive features of both blue and white and enamel techniques. During the Ming and Qing dynasties, blue and white enamel reached its peak and became one of the main styles for porcelain decoration at that time.

                                          The design on this tea tray showcases lifelike patterns of butterflies amid flowers. “Butterflies in Love with Flowers” symbolises sweet love and blissful marriage. In recent times, people have endowed this motif with more profound meanings, expressing good wishes and symbolizing beautiful and prosperous love. Butterflies are often seen as symbols of happiness and love, inspiring and captivating people’s imagination, and aspirations. In traditional Chinese literature, a pair of flying butterflies represents the pursuit of free and passionate love. Butterflies are loyal to their mates, having only one partner throughout their lives, making them a symbol of fidelity in the insect world. Moreover, there is a beautiful Chinese folktale known as “The Butterfly Lovers,” which further enhances the symbolism of sweet love and harmonious marriage associated with the motif of butterflies and flowers.

                                          This enamel-decorated tea tray displays a rich and colourful palette, with lively and dynamic brushstrokes, immersing people in an elegant artistic ambiance while enjoying their tea.

                                        • Hand Painted Lotus Ba Bao GaiwanHand Painted Lotus Ba Bao Gaiwan
                                          $945.99

                                          The style of this super beautiful tea tray is Ming, using the underglaze blue technique, and entirely handcrafted and hand painted. The pattern features very traditional Chinese patterns including intertwining lotus and ‘Ba Bao’.

                                          The “Ba Bao,” also known as the “Buddhist Eight Treasures” or “Eight Auspicious Treasures,” represent eight auspicious objects symbolizing the power of Buddhism. These symbols manifest through the perception of eight types of consciousness: eyes, ears, nose, tongue, body, mind, intellect, and consciousness. They are depicted in various patterns and motifs as decorations in Buddhist art.

                                          During the Qing Dynasty, particularly during the reign of Emperor Qianlong, these eight auspicious symbols were transformed into three-dimensional display items. They were often placed together with ritual vessels in temples. The eight auspicious symbols are abbreviated as follows: Conch Shell, Dharma Wheel, Umbrella, Canopy, Lotus Flower, Vase, Fish, and Endless Knot.

                                          According to Buddhist beliefs, each of the “Eight Auspicious Symbols” has specific symbolic meanings:

                                          • Conch Shell: Represents the auspicious sound of the Dharma, spreading throughout the world as a symbol of good fortune.
                                          • Dharma Wheel: Signifies the endless cycle of Buddhist teachings, symbolizing the continuity of life.
                                          • Umbrella: Symbolizes protection and the ability to shield and safeguard all sentient beings.
                                          • Canopy: Represents the protection of the world and purification of the universe, symbolizing liberation from poverty and illness.
                                          • Lotus Flower: Symbolizes purity and divine birth, representing the rejection of contamination.
                                          • Vase: Represents the perfection of wisdom and fulfillment, symbolizing the achievement of success.
                                          • Fish: Symbolizes liveliness, health, and vitality, serving as a sign of good luck and warding off evil spirits.
                                          • Endless Knot: Represents the interconnectedness and endless nature of all things, symbolizing longevity, and a hundred years of life.

                                          The construction of these symbols focuses on using auspicious objects as the main decorative elements, with their forms often being symmetrical or balanced. Some are complemented by flowing ribbons, while others are placed on a lotus pedestal, creating a harmonious and coherent effect among the different auspicious treasures.

                                          During the Tang and Song Dynasties, the Eight Auspicious Symbols were introduced to the central plains with the spread of Tibetan Buddhism. By the Yuan Dynasty, they began to appear on silk, ceramics, gold, and silver items. In the Ming and Qing Dynasties, the application of the Eight Auspicious Symbols became even more widespread, involving lacquerware, furniture, architectural decorations, and other areas of craftsmanship.

                                          The delicate brushstrokes and intricate detailing of the painting on this tea tray create a distinct sense of aesthetic appeal. The soft and elegant shade of underglaze blue, along with a hint of faint tin glaze, gives it a graceful and ethereal beauty under the light. This tea tray exudes a simple yet elegant charm, reminiscent of the style of imitation Ming, making it truly captivating and irresistible.

                                        • Hand Painted Peony Tea SetHand Painted Peony Tea Set
                                          $559.99

                                          The style of this super beautiful tea tray is Ming, using the underglaze blue technique, and entirely handcrafted and hand painted. The main pattern is the classic design of intertwining Peony branches and traditional waves, while the sides of the tea tray are adorned with wave patterns.

                                          In ancient China, waves naturally referred to the vast ocean, which symbolized gods and immortals and was believed to bestow numerous mystical benefits upon people, such as blessings and longevity. On the other hand, chrysanthemum petal motifs conveyed people’s heartfelt wishes for a blessed, long, and peaceful life.

                                          While peony, one of the beloved traditional patterns in our country, holds a special place in the hearts of the Chinese people with its lush and vibrant appearance and striking colours. As a symbol of our national spirit, it embodies the beautiful aspirations and good wishes for life, symbolizing the prosperity and longevity of the Chinese nation, with a history that stretches far into the past. The intertwined peony, known as “Wanshou Teng” or “Peony with Entwined Branches,” is a traditional auspicious pattern, that represents joyous occasions. Its continuous interlocking structure also conveys the meaning of “endless vitality” or “continuous growth.”

                                          In addition, the beautiful tin spots on the porcelain add even more unique charm to it. The formation of tin spots is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

                                          In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration. These tin glazes not only add a rustic texture to the tea tray but also imbue it with a unique sense of history.

                                          This tea tray exudes a charming style reminiscent of imitating the essence of Yuan Dynasty tea sets.

                                        • Hand Painted Wood Ash Glazed Goji Tea TrayHand Painted Wood Ash Glazed Goji Tea Tray
                                          $99.99

                                          This tea tray is made with wood ash glaze, with a smooth and glossy glaze surface and a thick and solid body, giving it a sense of antique elegance, tranquillity, and warmth. The hand-painted picture is vivid and natural, depicting lifelike Goji.

                                          Goji berries, a small orange-red fruit with a long history in China, symbolize auspiciousness and happiness. The elongated fruits of goji berries are fiery red in colour, hence in China, goji berries are regarded as a symbol of celebration and joy. The fiery red goji berries represent good luck and signify a life filled with prosperity and vitality.

                                          Furthermore, the tea tray is crafted using the overglaze colour painting craft, which produces pure, vibrant, and full colours. Since the tea tray is hand-painted by an artist, every piece is unique, and machine-printed decals cannot be compared with.

                                        • Hand Painted Ruyao Cute Kitty Tea TrayHand Painted Ruyao Cute Kitty Tea Tray
                                          $99.99

                                          This tea tray is handcrafted using the Ru Klin technique. The painting features a cute kitty on the stone. The Ru porcelain glaze is thick and often exhibits crackling patterns resembling fish scales or cicada wings. With prolonged use, tea soup can seep into the cracks, forming irregular and intricate patterns. As a result, the surface feels smooth and polished, reminiscent of the beauty of jade yet distinct from actual jade.

                                        • Hand Painted Ruyao Mountains Tea TrayHand Painted Ruyao Mountains Tea Tray
                                          $135.99

                                          This tea tray is handcrafted using the Ru Klin technique. The painting features a depiction of mountain scenery in shades of blue and green. The Ru porcelain glaze is thick and often exhibits crackling patterns resembling fish scales or cicada wings. With prolonged use, tea soup can seep into the cracks, forming irregular and intricate patterns. As a result, the surface feels smooth and polished, reminiscent of the beauty of jade yet distinct from actual jade.

                                        • Hand Painted Wood Ash Glazed Pomegranate Tea TrayHand Painted Wood Ash Glazed Pomegranate Tea Tray
                                          $99.99

                                          This tea tray is made with wood ash glaze, with a smooth and glossy glaze surface and a thick and solid body, giving it a sense of antique elegance, tranquillity, and warmth. The hand-painted picture is vivid and natural, depicting lifelike pomegranates.

                                          In ancient China, pomegranates symbolized a prosperous and auspicious life with abundance, good fortune, and prosperity. The pomegranate is red both inside and outside, symbolizing a vibrant life and passionate individuals. As the pomegranate has numerous seeds, people use it as a symbol of wishing for a large and prosperous family, and the ancients referred to it as ‘a thousand chambers with the same membrane, a thousand children as one’.

                                          This tea tray is made using the overglaze technique, with vibrant and full colours in the painted design. Each lid bowl is individually hand-painted by skilled artists, making each one unique and machine-printed decals cannot compare with.

                                        • Hand painted Yuan Style Heron and Lotus Pu-erh Tea TrayHand painted Yuan Style Heron and Lotus Pu-erh Tea Tray
                                          $279.99

                                          This tea tray is made in the style of the Yuan dynasty blue and white porcelain, completely handmade and hand-painted. The pattern of “一鹭莲科” or “一路连科” in Chinese culture is derived from the beautiful combination of the heron and lotus leaves. As “鹭” (heron) and “路” (path/road) have the same pronunciation, and “莲” (lotus) sounds like “连” (successive/continuous), the name “一路连科” is a play on words that conveys the beautiful meaning of the pattern. In ancient times, successive successful candidates in the imperial examinations were called “连科,” and “一路连科” is a good wish for students to have a smooth career path and achieve success step by step.

                                          For Yuan blue and white porcelain refers to the blue and white porcelain produced during the Yuan dynasty (1271-1368) in China. The Yuan dynasty was an important period in the history of Chinese porcelain and one of the peaks of Chinese porcelain art. As one of the representatives of that era, Yuan blue and white porcelain exhibited unique artistic styles and technical levels. The characteristic of Yuan blue and white is the use of cobalt blue pigment for painting, which is made of cobalt oxide. After firing, the colour is bright and rich, with an extremely high decorative effect. Yuan blue and white porcelain has various shapes, thick and heavy, concise, and fluent lines, and stable and solemn shapes, all made exquisitely.

                                          The evolution of Yuan blue and white is based on the foundation of Tang and Song celadon. Firstly, the glaze colour was improved and innovated. Unique white glaze, eggshell glaze and blue-white glaze were invented to make the glaze crystal clear. Cobalt pigment was imported for glaze colouring. Or using the pigment made from domestic materials.

                                          The formation of tin spots on Yuan blue and white is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

                                          In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration.

                                          This tea tray has a thick body and uses the Su Ma Li Qing glaze material (a kind of blue pigment), with a heavy sense of tin spots, revealing a unique charm of the past era. The entire production process is completed by hand, and every detail has been carefully designed and polished, giving this tea tray a unique artistic charm.