Hand Painted Child Tea Cup – Red

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  Hand Painted Chanzhi Lian Tea Cup

  $515.99

  The style of this super beautiful teacup is Ming, using the underglaze blue technique, and entirely handcrafted and hand painted. The pattern features the classic design of intertwining lotus branches (Chanzhi Lian).

  Chanzhi Lian, also known as ‘intertwining lotus branches’ or ‘Interlock Branch Lotus’, is a Chinese decorative motif with the symbolism of “flowers within flowers, blossoms within leaves.” It is also referred to as the “Wanshou Teng,” representing auspiciousness and longevity due to its continuous and interconnected structure, symbolizing the concept of “endless vitality.” In addition, in traditional Chinese Confucian culture, the lotus is seen as the embodiment of truth, goodness, and beauty, as well as a symbol of Buddhism. The pronunciation of “Lian” is similar to the word “continuous” in Chinese, further expressing the idea of continuous growth and conveying positive wishes and emotions.

  As part of Chinese traditional ornamentation, Chanzhi Lian has been passed down through generations, reflecting its own beauty and cultural significance with a unique artistic charm. The lotus possesses a sacred and pure temperament, being beautiful without being ostentatious and magnificent without being vulgar. It is precisely because of this aesthetic appeal that Chanzhi Lian has become a decorative pattern applied to various aspects of life.

  In addition, the beautiful tin spots on the porcelain add even more unique charm to it. The formation of tin spots is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

  In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration. This tin glazes not only add a rustic texture to the teacup but also imbue it with a unique sense of history.

  The delicate brushstrokes and intricate detailing of the painting on this teacup create a distinct sense of aesthetic appeal. The soft and elegant shade of underglaze blue, along with a hint of faint tin glaze, gives it a graceful and ethereal beauty under the light. This teacup exudes a simple yet elegant charm, reminiscent of the style of imitation Ming, making it truly captivating and irresistible.

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• 

  Handmade Green Wood Fired Kiln Altered Flower Tea Cup

  $33.99

  The teacup is handmade using the wood-fired kiln-altered glaze technique, and its glaze presents a unique green colour. The phenomenon of crystal formation is caused by a kiln altered in a cup, commonly known as “crystal flowers”.

  The varying shades of colour make each cup one-of-a-kind, adding a rugged and beautiful charm to your tea table. Its design features a high foot and a small base, which give it a delicate appearance. The mouth of the cup is designed with a flower shape, making the whole cup look even more entertaining.

  Attention:

  • Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
  • The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
  • Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
  • Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.

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• 

  Hand Painted Yuan Style Heron and Lotus Tea Cup

  $279.99

  This teacup is made in the style of the Yuan dynasty blue and white porcelain, matt glaze finish, completely handmade and hand painted. The pattern of “一鹭莲科” or “一路连科” in Chinese culture is derived from the beautiful combination of the heron and lotus leaves. As “鹭” (heron) and “路” (path/road) have the same pronunciation, and “莲” (lotus) sounds like “连” (successive/continuous), the name “一路连科” is a play on words that conveys the beautiful meaning of the pattern. In ancient times, successive successful candidates in the imperial examinations were called “连科,” and “一路连科” is a good wish for students to have a smooth career path and achieve success step by step.

  For Yuan blue and white porcelain refers to the blue and white porcelain produced during the Yuan dynasty (1271-1368) in China. The Yuan dynasty was an important period in the history of Chinese porcelain and one of the peaks of Chinese porcelain art. As one of the representatives of that era, Yuan blue and white porcelain exhibited unique artistic styles and technical levels. The characteristic of Yuan blue and white is the use of cobalt blue pigment for painting, which is made of cobalt oxide. After firing, the colour is bright and rich, with extremely high decorative effect. Yuan blue and white porcelain has various shapes, thick and heavy, concise, and fluent lines, and stable and solemn shapes, all made exquisitely.

  The evolution of Yuan blue and white is based on the foundation of Tang and Song celadon. Firstly, the glaze colour was improved and innovated. Unique white glaze, eggshell glaze and blue-white glaze were invented to make the glaze crystal clear. Cobalt pigment was imported for glaze colouring. Or using pigment made from domestic materials.

  The formation of tin spots on Yuan blue and white is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

  In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration.

  This teacup is small and exquisite and uses the Su Ma Li Qing glaze material (a kind of blue pigment), with a heavy sense of tin spots, revealing a unique charm of the past era. The entire production process is completed by hand, and every detail has been carefully designed and polished, giving this teacup a unique artistic charm.

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• 

  Hand Painted Yuan Blue-and-white Kylin Tea Cup

  $509.99

  This teacup is made in the style of the Yuan dynasty blue and white porcelain, completely handmade and hand painted by Mr. Chunshen Zhan who is a master artisan, is a senior craftsman in Jiangxi Province. His blue and white imitations of Yuan Dynasty works are vividly depicted, exuding an antique charm, and are truly worth appreciating.

  The painting on this teacup depicts a Kylin, which is a mythical creature representing auspiciousness. In ancient Chinese culture, the Kylin is a spiritually auspicious beast. Placing a Kylin at home is believed to bless one with good health, safety, and success while warding off negativity and bringing good luck. It serves as a guardian deity in the household and long-term wearing of Kylin motifs can bless lifelong safety for the wearer. Additionally, the Kylin is a symbol of harmony. Placing it in the living room of a home can promote a smooth career and improve one’s financial fortune. Once consecrated, the power of the Kylin can be maximized. Therefore, Kylin patterns are commonly applied in various aspects of daily life, such as clothing, architectural designs for houses, as well as tea ware and tableware used daily.

  Besides, for Yuan blue and white porcelain refers to the blue and white porcelain produced during the Yuan dynasty (1271-1368) in China. The Yuan dynasty was an important period in the history of Chinese porcelain and one of the peaks of Chinese porcelain art. As one of the representatives of that era, Yuan blue and white porcelain exhibited unique artistic styles and technical levels. The characteristic of Yuan blue and white is the use of cobalt blue pigment for painting, which is made of cobalt oxide. After firing, the colour is bright and rich, with an extremely high decorative effect. Yuan blue and white porcelain has various shapes, thick and heavy, concise, and fluent lines, and stable and solemn shapes, all made exquisitely.

  The evolution of Yuan blue and white is based on the foundation of the Tang and Song celadon. Firstly, the glaze colour was improved and innovated. Unique white glaze, eggshell glaze, and blue-white glaze were invented to make the glaze crystal clear. Cobalt pigment was imported for glaze colouring. Or using pigment made from domestic materials.

  The formation of tin spots on Yuan blue and white is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

  In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration.

  This teacup has a smooth and lustrous texture and uses the Su Ma Li Qing glaze material (a kind of blue pigment), with a heavy sense of tin spots, revealing a unique charm of the past era. The entire production process is completed by hand, and every detail has been carefully designed and polished, giving this teacup a unique artistic charm. The blue and white Kylin pattern is vivid, showcasing ancient cultural and aesthetic values, allowing people to immerse themselves in a beautiful artistic atmosphere while enjoying their tea.

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