Ice-Jade Linglong Tasting Cup

Related products

• 

  Hand Painted Yuan Style Heron and Lotus Tea Cup

  $279.99

  This teacup is made in the style of the Yuan dynasty blue and white porcelain, matt glaze finish, completely handmade and hand painted. The pattern of “一鹭莲科” or “一路连科” in Chinese culture is derived from the beautiful combination of the heron and lotus leaves. As “鹭” (heron) and “路” (path/road) have the same pronunciation, and “莲” (lotus) sounds like “连” (successive/continuous), the name “一路连科” is a play on words that conveys the beautiful meaning of the pattern. In ancient times, successive successful candidates in the imperial examinations were called “连科,” and “一路连科” is a good wish for students to have a smooth career path and achieve success step by step.

  For Yuan blue and white porcelain refers to the blue and white porcelain produced during the Yuan dynasty (1271-1368) in China. The Yuan dynasty was an important period in the history of Chinese porcelain and one of the peaks of Chinese porcelain art. As one of the representatives of that era, Yuan blue and white porcelain exhibited unique artistic styles and technical levels. The characteristic of Yuan blue and white is the use of cobalt blue pigment for painting, which is made of cobalt oxide. After firing, the colour is bright and rich, with extremely high decorative effect. Yuan blue and white porcelain has various shapes, thick and heavy, concise, and fluent lines, and stable and solemn shapes, all made exquisitely.

  The evolution of Yuan blue and white is based on the foundation of Tang and Song celadon. Firstly, the glaze colour was improved and innovated. Unique white glaze, eggshell glaze and blue-white glaze were invented to make the glaze crystal clear. Cobalt pigment was imported for glaze colouring. Or using pigment made from domestic materials.

  The formation of tin spots on Yuan blue and white is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

  In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration.

  This teacup is small and exquisite and uses the Su Ma Li Qing glaze material (a kind of blue pigment), with a heavy sense of tin spots, revealing a unique charm of the past era. The entire production process is completed by hand, and every detail has been carefully designed and polished, giving this teacup a unique artistic charm.

  Add to cart

• Out of Stock

  Hand Painted Yuan Blue-and-white Fish and Seaweed Tea Cup

  $199.99

  This teacup is made in the style of the Yuan dynasty blue and white porcelain, completely handmade and hand painted. The blue and white fish & seaweed pattern is vivid, showcasing ancient cultural and aesthetic values, allowing people to immerse themselves in a beautiful artistic atmosphere while enjoying their tea.

  The special pattern of this teacup is fish and seaweed. Since ancient times, fish and seaweed motifs have been traditional decorative patterns in ceramics, representing auspiciousness and carrying rich cultural and aesthetic meanings. The homophonic association between fish and the Chinese word for “surplus” (yu) makes fish a symbol of abundance and wealth. Fish motifs are often used to convey the meaning of “abundance and surplus,” “prosperity year after year” (as the pronunciation of fish is similar to that of “surplus” in Chinese), and “auspicious celebrations and abundance.” The fish and seaweed motifs typically feature fish as the central element, with additional decorations such as water plants, forming a variety of decorative patterns. The depiction of four swimming fish in the artwork symbolizes the concept of “surplus in all four seasons,” representing a year-round surplus, which carries a highly positive connotation. Such motifs are not only favoured by the royal court but also beloved by people from all walks of life as auspicious decorations. The flexible composition, auspicious symbolism, and abundant variations of fish and seaweed motifs have made them timeless classics throughout different eras.

  For Yuan blue and white porcelain refers to the blue and white porcelain produced during the Yuan dynasty (1271-1368) in China. The Yuan dynasty was an important period in the history of Chinese porcelain and one of the peaks of Chinese porcelain art. As one of the representatives of that era, Yuan blue and white porcelain exhibited unique artistic styles and technical levels. The characteristic of Yuan blue and white is the use of cobalt blue pigment for painting, which is made of cobalt oxide. After firing, the colour is bright and rich, with an extremely high decorative effect. Yuan blue and white porcelain has various shapes, thick and heavy, concise, and fluent lines, and stable and solemn shapes, all made exquisitely.

  The evolution of Yuan blue and white is based on the foundation of the Tang and Song celadon. Firstly, the glaze colour was improved and innovated. Unique white glaze, eggshell glaze and blue-white glaze were invented to make the glaze crystal clear. Cobalt pigment was imported for glaze colouring. Or using pigment made from domestic materials.

  The formation of tin spots on Yuan blue and white is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

  In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration.

  This teacup has a thick body and uses the Su Ma Li Qing glaze material (a kind of blue pigment), with a heavy sense of tin spots, revealing a unique charm of the past era. The entire production process is completed by hand, and every detail has been carefully designed and polished, giving this teacup a unique artistic charm. The blue and white fish & seaweed pattern is vivid, showcasing ancient cultural and aesthetic values, allowing people to immerse themselves in a beautiful artistic atmosphere while enjoying their tea.

  Read more

• 

  Hand Painted Yuan Blue-and-white Dragon Master Tea Cup

  $439.99

  This master teacup is made in the style of the Yuan dynasty blue and white porcelain, completely handmade and hand-painted. The entire painting exudes a strong sense of antiquity, with bold and vigorous lines, and the dragon pattern appears vivid and lifelike.

  In Chinese culture, the dragon is a very important symbol and totem with rich symbolism. Firstly, the dragon is one of the most sacred, authoritative, and noble images in ancient Chinese culture. It is the incarnation of the gods of heaven, earth, and water, representing supreme authority and divine power. Secondly, the dragon is considered a symbol of good luck in Chinese culture. As it has the special power to control rainfall, it is also seen as the protector of agriculture, representing a bountiful harvest and prosperity. Additionally, the dragon has many other symbolic meanings, such as longevity, authority, success, courage, and wisdom. In traditional Chinese culture, the dragon is a noble, mysterious, and awe-inspiring image, representing people’s yearning for the unknown and the spirit of exploration.

  Besides, for Yuan blue and white porcelain refers to the blue and white porcelain produced during the Yuan dynasty (1271-1368) in China. The Yuan dynasty was an important period in the history of Chinese porcelain and one of the peaks of Chinese porcelain art. As one of the representatives of that era, Yuan blue and white porcelain exhibited unique artistic styles and technical levels. The characteristic of Yuan blue and white is the use of cobalt blue pigment for painting, which is made of cobalt oxide. After firing, the colour is bright and rich, with an extremely high decorative effect. Yuan blue and white porcelain has various shapes, thick and heavy, concise, and fluent lines, and stable and solemn shapes, all made exquisitely.

  The evolution of Yuan blue and white is based on the foundation of the Tang and Song celadon. Firstly, the glaze colour was improved and innovated. Unique white glaze, eggshell glaze, and blue-white glaze were invented to make the glaze crystal clear. Cobalt pigment was imported for glaze colouring. Or using pigment made from domestic materials.

  The formation of tin spots on Yuan blue and white is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

  In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration.

  This master teacup has a smooth and lustrous texture and uses the Su Ma Li Qing glaze material (a kind of blue pigment), with a heavy sense of tin spots, revealing a unique charm of the past era. The entire production process is completed by hand, and every detail has been carefully designed and polished, giving this teacup a unique artistic charm. The blue and white dragon pattern is vivid, showcasing ancient cultural and aesthetic values, allowing people to immerse themselves in a beautiful artistic atmosphere while enjoying their tea.

  Add to cart

• Out of Stock

  Handmade Green Wood Fired Kiln Altered Flower Tea Cup

  $33.99

  The teacup is handmade using the wood-fired kiln-altered glaze technique, and its glaze presents a unique green colour. The phenomenon of crystal formation is caused by a kiln altered in a cup, commonly known as “crystal flowers”.

  The varying shades of colour make each cup one-of-a-kind, adding a rugged and beautiful charm to your tea table. Its design features a high foot and a small base, which give it a delicate appearance. The mouth of the cup is designed with a flower shape, making the whole cup look even more entertaining.

  Attention:

  • Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
  • The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
  • Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
  • Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.

  Read more