Hand painted Yuan Style Heron and Lotus Arhat Tea Cup

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  Handmade Wood Fired Kiln Altered Red Tea Cup

  $33.99

  This red teacup is baked with firewood and is made of both kiln-fired glaze variations and cracked glaze craft. Because kiln alteration techniques enable an exciting and dynamic way to create different red colour glazes on this teacup, each teacup is unique and made by hand, with no two being exactly alike. The phenomenon of crystal formation is caused by kiln altered in a cup, commonly known as “crystal flowers”.

  Besides that, the unique cracked glaze technique used creates beautiful patterns on the cup’s surface. Over time as it is soaked with tea soup, and then resulting variations in the pattern make each piece truly outstanding and add more enjoyment to the tea drinking experience.

  Attention:

  • Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
  • The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
  • Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
  • Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.

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• 

  Hand Painted Yuan Style Heron and Lotus Tea Cup

  $279.99

  This teacup is made in the style of the Yuan dynasty blue and white porcelain, matt glaze finish, completely handmade and hand painted. The pattern of “一鹭莲科” or “一路连科” in Chinese culture is derived from the beautiful combination of the heron and lotus leaves. As “鹭” (heron) and “路” (path/road) have the same pronunciation, and “莲” (lotus) sounds like “连” (successive/continuous), the name “一路连科” is a play on words that conveys the beautiful meaning of the pattern. In ancient times, successive successful candidates in the imperial examinations were called “连科,” and “一路连科” is a good wish for students to have a smooth career path and achieve success step by step.

  For Yuan blue and white porcelain refers to the blue and white porcelain produced during the Yuan dynasty (1271-1368) in China. The Yuan dynasty was an important period in the history of Chinese porcelain and one of the peaks of Chinese porcelain art. As one of the representatives of that era, Yuan blue and white porcelain exhibited unique artistic styles and technical levels. The characteristic of Yuan blue and white is the use of cobalt blue pigment for painting, which is made of cobalt oxide. After firing, the colour is bright and rich, with extremely high decorative effect. Yuan blue and white porcelain has various shapes, thick and heavy, concise, and fluent lines, and stable and solemn shapes, all made exquisitely.

  The evolution of Yuan blue and white is based on the foundation of Tang and Song celadon. Firstly, the glaze colour was improved and innovated. Unique white glaze, eggshell glaze and blue-white glaze were invented to make the glaze crystal clear. Cobalt pigment was imported for glaze colouring. Or using pigment made from domestic materials.

  The formation of tin spots on Yuan blue and white is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

  In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration.

  This teacup is small and exquisite and uses the Su Ma Li Qing glaze material (a kind of blue pigment), with a heavy sense of tin spots, revealing a unique charm of the past era. The entire production process is completed by hand, and every detail has been carefully designed and polished, giving this teacup a unique artistic charm.

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• 

  Hand Painted Flowers Tea Cup

  $195.99

  This charming teacup is using blue and white porcelain craftsmanship, made entirely by hand.

  The beautiful picture on the body of the teacup is called ‘Wan Hua’, also known as “myriad flowers,” “flowers on top of flowers,” or “adding flowers to enhance beauty,” which is commonly depicted in the central area of the object. It often features large patterns of peonies, surrounded by various smaller floral patterns such as chrysanthemums, camellia, roses, lotuses, lilies, morning glories, and others. The intricate secondary patterns cover the entire surface, symbolizing the gathering of myriad flowers and representing prosperity and harmony.

  The delicate brushstrokes vividly outline the different flowers, creating a glossy and elegant appearance. The colours are rich and vibrant, giving the piece a sense of vivid and liveliness.

  Note: This tea cup is fully handmade, every teacup can be slightly different.

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• 

  Hand Painted Juban Chicken Heart Tea Cup

  $645.99

  The style of this super beautiful teacup is Ming, using the underglaze blue technique, and entirely handcrafted and hand painted.

  This cup is adorned with blue and white patterns of wave and chrysanthemum petals on the outer wall. The interior of the cup is fully covered in blue and white patterns of Baoxiang flowers and Ruyi motifs, creating an overall design that is rich and detailed, with smooth and flowing lines. The blue and white colours are deep and elegant, with a white glaze featuring subtle flashes of blue. The glaze surface is glossy, and the texture is smooth. The cup has a lightweight and elegant shape, achieving a harmonious balance between practicality and aesthetics. At the bottom, there is a chicken-heart-shaped protrusion, hence the name ‘chicken-heart teacup’.

  In ancient China, waves naturally referred to the vast ocean, which symbolized gods and immortals and was believed to bestow numerous mystical benefits upon people, such as blessings and longevity. On the other hand, chrysanthemum petal motifs conveyed people’s heartfelt wishes for a blessed, long, and peaceful life.

  The Baoxiang flowers inside the cup symbolize good luck, harmony, happiness, and prosperity. The Ruyi motif’s auspiciousness, combining profound meaning with graceful form, represents the auspicious, favourable implications.

  In addition, the beautiful tin spots on the porcelain add even more unique charm to it. The formation of tin spots is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

  In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration. This tin glazes not only add a rustic texture to the teacup but also imbue it with a unique sense of history.

  The body of this teacup is smooth and well-lubricated, while the underglaze blue patterns are vivid and lifelike. The faint tin specks add a touch of charm from a bygone era, evoking a sense of nostalgia and natural beauty, making it exquisitely graceful. Each stroke of the underglaze blue decoration is delicate and captivating, bringing the design to life. The intricate and refined patterns showcase the artist’s profound artistic skills.

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